@jjss49 - Just curious what power supply you are using with the ifi streamer?
All - The more I use the 005 the more I like it. Around 4 hundred hours on it now. It mates up wonderfully with the Linn Klimax preamp & B&W 802D speakers.
Musetec (LKS) MH-DA005 DAC
Some history: I was the OP on a four year old thread about the Chinese LKS MH-DA004 DAC. It achieved an underground buzz. The open architecture of its predecessor MH-DA003 made it the object of a lot of user mods, usually to its analog section, rolling op amps or replacing with discrete. The MH-DA004 with its new ESS chips and JFET analog section was called better then the modified older units. It has two ES9038pro DAC chips deliberately run warm, massive power supply, powered Amanero USB board, JFET section, 3 Crystek femtosecond clocks, Mundorf caps, Cardas connectors, etc., for about $1500. For this vinyl guy any reservation about ESS chips was resolved by the LKS implimentaion, but their revelation of detail was preserved, something that a listener to classic music especially appreciated. I made a list of DACs (many far more expensive) it was compared favorably to in forums. Modifications continued, now to clocks and caps. Components built to a price can be improved by costlier parts and the modifiers wrote glowingly of the SQ they achieved.
Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html
The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."
Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html
The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."
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@jjss49 Your insights very much appreciated. I believe the 501 uses the 9038, 502 as well.
As you all know, I love the sound of 005, absolutely no complaints, I believe Musetec voiced it to best of their ability. We can't know how it would sound with different measurements, so we trust Musetec and our own sensory perceptions, and in the end that's all that matters. Lesser measurements of unit are only issue for Musetec sales, reputation, those who rely solely on measurements for purchases or estimations of quality, and those who own unit, don't trust their sensory perception, thus, feel insecure in their purchase, I know at least one in this boat. |
I find this sad. Someone has so feeble/fragile a level of confidence in their own listening judgment that they defer to measurements even after actually hearing the audio product? Very sad indeed. Charles
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i’ve tried several upgrade ps’s for zenstream -- which i feel is essential to get it to sound as good as they say it does [btw - the zs is not being used in my recent comparisons involving the 005.. i have the zs as an extra roon endpoint for when i want to listen to an older dacs w/oa usb in... i.e., my trusty musical fidelity trivista 21, or van alstine tube dac)] the ifi one-step-up filtered upgrade ps works well (it actually used to be bundled with the zs when they first introduced it, but then they deleted it, swapping in a lame-o bottom of barrel swps, no doubt for cost savings) ... as does my 12v chi-fi teradak lps... but right now i am using a nicer sotm 3 rail or keces p3 2 rail ps, set on 9 volt a nice thing about the z-s is that it can take a wide range of dc voltage inputs, anywhere from 7-12 vdc iirc
yes i think i agree, the 005 brings a dose of warmth and lower mid body to the party, which the b&w can use... and the 005 treble is extended but refined, should keep those b&w metal dome tweets happy |
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