And then there’s this about the Tak from "The Quick and Dirty 300B Shootout" in Stereotimes, which included the Elrog but not the EML:
This was definitely a crowd favourite and elicited plenty of excited superlatives. The Takatsuki is a very clear and open tube with the widest and deepest soundstage. The top end has incredible amounts of air, which created the most realistic acoustic space among the tubes on test here. I found the staging to be slightly forward, with noticeable midrange projection, contrary to the findings of one of the participants who felt that it had recessed soundstaging.
It had less tonal density and heft compared to the Elrog, and careful matching is required to avoid excessive brightness. Otherwise, it was the clear leader in terms of detail retrieval, imaging and soundstage precision. The crowd begged for the Valvo Heerlen 12AX7 to be put in place of the Telefunken (more details below), but I politely declined to maintain a consistent test base for our shootout.
Here are the comments from the other participants:
"Big soundstage, airy, good extension of highs and lows, slightly colored compared to elrog. Suitable for vocals and recitals."
"Open, lit, detailed. Excellent soundstage and so holographic sounding."
"Voicing "behind" the speakers, incredible microdetail and filled out the space. Extremely holographic, clean, and refined. the Takatsuki opened up the sound and removed the ANJ flavouring."
By no means definitive but more in line with my experience vis a vis the open top end and resolution. FWIW.