I have an original Loki, and I find it useful in my main system as a tone control, mostly for rolling off the highs that hurt my ears on certain recordings, but also for ‘taming’ voices (usually male) that grate a bit, and finally to boost, or quell the bass, again, to ‘tune a track’ or ‘tame an artist (or album).’ If I’m having problems with the room, I’ll use the balance control. Otherwise I’ll ‘adjust my ears,’ if you know what I mean.
I don’t find the Loki to be dead quiet in my main system, a bit of graininess pops up when I switch it into the system, which I attribute to it’s solid-state construction, it raises the noise floor just a little. It is a relatively small price to pay considering its benefits, and especially considering the price I paid for it. I’ve wondered whether or not to step up to the Lokius or the Loki Max. I can switch my Loki in and out with my main system remote, but it would certainly be nice to make adjustments from the listening position. Perhaps then I could join you in employing it for room correction. 🙂
I must admit that I can’t really make sense out of Schiit’s technical explanation of the Loki Max circuit topology except for the description of their fancy inductors, although I am intrigued by the fact that it seems mostly passive.
Thank you for sharing your experience.