Musetec (LKS) MH-DA005 DAC


Some history: I was the OP on a four year old thread about the Chinese LKS MH-DA004 DAC. It achieved an underground buzz. The open architecture of its predecessor MH-DA003 made it the object of a lot of user mods, usually to its analog section, rolling op amps or replacing with discrete. The MH-DA004 with its new ESS chips and JFET analog section was called better then the modified older units. It has two ES9038pro DAC chips deliberately run warm, massive power supply, powered Amanero USB board, JFET section, 3 Crystek femtosecond clocks, Mundorf caps, Cardas connectors, etc., for about $1500. For this vinyl guy any reservation about ESS chips was resolved by the LKS implimentaion, but their revelation of detail was preserved, something that a listener to classic music especially appreciated. I made a list of DACs (many far more expensive) it was compared favorably to in forums. Modifications continued, now to clocks and caps. Components built to a price can be improved by costlier parts and the modifiers wrote glowingly of the SQ they achieved.

Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html

The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."

melm

@sns I wrrote a blurb last night identifying my Benchmark DAC3B as the cause of my streaming gremlins. After a few hours of listening and unplugging and plugging in devices I came to the conclusion that my Benchmark DAC3B is working perfectly. It a very robust unit and I was surprised I initially though it was broken. I deleted the post above.

I was also praising the addition of the OpticalModule in front of the OpticalRendu. When it was working it was rgeat. It really improved the streaming sonics. I had been going direct from my network switch since I was suspicious about the OpticalModule’s health te past few weeks. It is likely on it’s last legs since it failed after a few hours. It may work again this morning.

I replaced the OpticalModule with a EtherRegen that was idle in my now dismantled Livingroom system. Again, more sonic improvement in the streaming. The sonic picture is cleaner and more clear. I think the EtherRegen sounded even better than the OpticalModule, but my OM is defective.

I was never impressed using the ER from A > B (standard way). I am doing B > A and it is a better use of the ER. I was planning on selling the ER last year, but I tried B > A before putting it for sale and the ER in front of the OpticalRendu was a winner. I am also using the cheap power supply that came with the ER.

Let’s us know how the Muon works out. At this time the plan for me is to get another ER once my Livingroom system is rebuilt.

I removed the DSP from all my ROON endpoints again. Seems perfect so far.

 

 

 

I want to use both the XLR out to my dual subwoofers and the RCA out to my preamp. Is there any reason that I should not do this? I have read that some Dacs do not recommend running both simultaneously.

Also, should I put the 005 in Standby when not in use?

I have been trying different preamp combinations to find a synergy with my system. The Schiit Freya + has sounded excellent. Low noise floor and different presentations between Solid State and Tube Buffer. I also have tried the Topping PRE90 which has a lower noise floor and punchier mid bass but vocals had a slight glare. I added a Jolida SSX Soundstage Expander (tube buffer) in front of the Topping PRE90 and it added weight, harmonics, width and depth to the soundstage which I prefer to the PRE90 by itself.

I am also trying different USB cables from the OpticalRendu to the 005. The Audioquest Diamond has a little more detail than the Acoustic BBQ USB cable. I am going to try the Sablon 2020 and FTA Callisto. Any other recommendations for USB cables would be appreciated.

@rrboogie I'm biased in that I believe the preamp should be considered as  package with sources, ie. as important as the source itself. 005 potential such that it could benefit from cost no object pre's, I've used 005 straight thru, no pre, with Musical Fidelity M2si integrated, Schitt Saga + and my usual Coincident Statement. Each has pretty large impact on sound, Statement easily surpasses the others. I did prefer tube buffer with Saga +, my go to preference would likely always be tube pre with 005, what with it's neutral to slightly analytical inherent nature.  And my take is spend at least as much on pre as 005 itself, will pay off handsomely.

 

On usb cable front, tried many prior to AQ Diamond, after, figured why bother, high resolving, transparent, nice tonal qualities, whats not to like! If you have problems, its not the Diamond.

 

Leave in standby, no sense in putting hours on components with limited life spans.

 

I have no idea about running XLS and rca outs together, I did try using both outs on prior Auralic Vega, resulted in diminished  sound quality. Makes sense that even if possible, could result in diminished sound quality, analog output stage doing more work.

 

 

@rrboogie
Not a good idea to use one set of interconnects from DAC to sub-woofer and another to preamp. One set to preamp and two sets out from preamp to amp and sub-woofer, even if you have to use Y-splitters. That way your preamp volume control will control all. Otherwise a mess with control of volume.

I have used three different preamps with my 004 and 005. The Freya+ was my middle pre and is very good for the price. The emphasis is on: for the price. I used it with NOS Chrome Domes. Having tubes somewhere in the system when you are running a solid stage DAC (which is to say, most of them) is great. The Freya+ easily beat out a very good SS preamp. I found, though, that I couldn’t live without a balance control and for this and other reasons went to a much more expensive tubed preamp. It’s all much, much better. The moral of this story is that to hear it at its best you cannot match the Musetec with components appropriate to only a $3000 DAC. In this I agree with @sns . In your place I might consider selling all your pre- stuff and getting something better. But I’m not there and have not heard it all as you have.

As for USB cables. They really do matter and IMO are very system specific. I say first settle on your preamp. AQ Diamond works for a lot of people including @sns. It did not work for me as I wrote earlier. Nor did a custom silver core cable that did fine with the 004. AQ Pearl at 5% of the Diamond price works better here. But it did lose a bit of sparkle/openness that should be there. A change in the interconnect between DAC and preamp is proving just right along with the Pearl. I’ll write about that cable in a bit. So my advice: try interconnect and USB cable. Buy cheap or buy where you can return.

@melm 

The moral of this story is that to hear it at its best you cannot match the Musetec with components appropriate to only a $3000 DAC. In this I agree with @sns . In your place I might consider selling all your pre- stuff and getting something better. But I’m not there and have not heard it all as you have.

This advice from you and @sns rings true. I believe that if you want to exploit all that a high quality DAC has to offer, you need a top flight quality line stage. I do not believe you can dance around this point. No doubt the Freya , Saga and Topping represent “good value “ and are less expensive. I just don’t feel that you will utilize the full sonic potential using them in place of higher  tier line stage options.

Charles