I know @fsonicsmith stated that the twist in the wire is no good. But I have found that if you use the Soundsmith method of checking anti-skate, that a little twist does the trick. The stylus will slightly pause at the lead out groove, then slowly drift towards the spindle. At least that's my experience with it.
On a gimbaled arm I have no problem with it. With a unipivot, twisting the lemo wire tends to cause the tonearm and head shell to cant to one side, usually the outboard side up IIRC. A counterintuitive is meant to offer fine and repeatable adjustment of VTF and azimuth in an otherwise "clean slate" scenario, not to offset the cant caused by twisting the lemo wire, at least afaik. I would never deny a thing that Peter Lederman recommends. There is no denying that HW and MW don't accept AS as an important design parameter.
Speaking of Peter Lederman and his knowledge (and sorry for thread drift) but why does a guy who can build a strain gauge cartridge not design a phono stage meant to tackle the state of the art? He is clearly capable. Instead he offers fairly entry-level phono stages that are incidentally all business to the point of being butt-ugly. Double-bagger ugly.