@americanspirit I have a P30 which I use with a McIntosh MC402. It's very nice, especially with natural timbre. I hear the P30A won't be in the US until November or December. How does the M8sPre sound with the Mac?
Musetec (LKS) MH-DA005 DAC
Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html
The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."
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@americanspirit @sns is the tube guru in these parts and it would be interesting to hear from him on the general topic of the resolution potential of tubed pres. |
Thanks @melm I do love my tube pre, Coincident Statement MkII, 101D dht, and I do believe tube pre's and tube amps for that matter, are great match for 005. My take on 005 is it really excels with just the slightest added bit of warmth, harmonic development only tubes can provide. Doesn't need more than a touch of that tube warmth so the more neutral, modern sound tube amps/pre's just right. Also, modern top flight tube equipment needs not give up anything to SS in terms of resolution/transparency. This especially true with balanced pre, noise floor lower with balanced circuits, cables.
As far as the Musical Fidelity pre, I purchased MF M2SI integrated some years ago in a different setup, thought it very nice musical piece. Hit above its weight against a much more expensive class A SS amp. I too am not impressed with Mac, middling sound for the cost.
Update on new server, have JCAT Optimo S ATX LPS in house after 2 weeks wait for shipping out of Poland. Have new setup running but haven't listened yet, Euphony OS and Stylus player steep learning curve, this thing has ability to run direct from RAM, lowest latency (jitter) possible vs SSD. This setup should really test 005 potential, a number of individuals built virtually same server (minus the Optimo LPS) after having gone through previous lesser custom build servers over the years. Each considered this was best custom server they could build. Each of these individuals purchased Taiko Extreme server directly after this particular build, $35k last time I looked. |
how it sounds ... beautifully, the M8sPRE is totally oversized in terms of the power section and output stage ... combined with its transparency (pure class A) and channel separation (dual mono) gave me some very strong emotions in listening. I live in Italy, if you happen to be on vacation I'll let you listen to it :-) in the meantime, I am sending you the updated photos of the plant
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