With all due respect, it is not just masters, mothers, and stampers. The first step in making LP’s is for the mastering engineer to cut a lacquer from whatever the source is. From the 1950’s onward that source was most commonly a tape copy (hopefully a 1st-generation, but not always) made from the 2-track master mix tape, in the record industry called a "production" master tape . The lacquer (a "positive") is then plated (and now referred to as the "metal works"), and the process of making fathers (a negative), mothers (a positive), stampers (a negative), and finally LP’s (a positive, of course) begins. A google search will lead you to deeper details.
A production tape sent to a foreign country will be used to cut a lacquer by whatever company has the rights to manufacture LP’s for their region of the world. So the same LP title can be manufactured from dozens of different lacquers, and fathers, mothers, and stampers, and of course pressing plants. Look through all the listings of the different versions of LP’s for any given title on Discogs. With some titles the numbers are staggering.