People have been fooled for for quite a few decades.
Even by Edison!
ie: https://phonographia.com/Factola/Edison%20Tone%20Tests.htm
System that sounds so real it is easy to mistaken it is not live
My current stereo system consists of Oracle turntable with SME IV tonearm, Dynavector XV cartridge feeding Manley Steelhead and two Snappers monoblocks running 15" Tannoy Super Gold Monitors. Half of vinyl records are 45 RMP and were purchased new from Blue Note, AP, MoFI, IMPEX and some others. While some records play better than others none of them make my system sound as good as a live band I happened to see yesterday right on a street. The musicians played at the front of outdoor restaurant. There was a bass guitar, a drummer, a keyboard and a singer. The electric bass guitar was connected to some portable floor speaker and drums were not amplified. The sound of this live music, the sharpness and punch of it, the sound of real drums, the cymbals, the deepness, thunder-like sound of bass guitar coming from probably $500 dollars speaker was simply mind blowing. There is a lot of audiophile gear out there. Some sound better than others. Have you ever listened to a stereo system that produced a sound that would make you believe it was a real live music or live band performance at front of you?
People have been fooled for for quite a few decades. Even by Edison! ie: https://phonographia.com/Factola/Edison%20Tone%20Tests.htm |
@lewm , transmission lines are arguably the hardest type of enclosure to design. Yes, you can effectively double the size/efficiency of the driver at some frequencies. The problem is that the front and rear waves are only exactly in phase at certain frequencies. Then there is the problem of the construct. The enclosure is composed of a number of dividers and pathways. It becomes much harder to control all the panel resonances that develop and to make sure every panel is locked down solid. Subwoofers, by nature shake the hell out of everything. It is what they do for a living. I lean towards small enclosures because it is much easier to make them stiff and solid (the soap bubble rule). The lower efficiency is now easily covered by the powerful amps we have and amplitude errors can be corrected in room digitally. Setting them up as a line array and placing them directly against a wall then minimizes room interaction. @rauliruegas , Is less distortion in the woofer's frequency range going to make the rest of the loudspeaker sound better? Since the loudspeaker as a whole will sound better I suppose you could say that is true. It will in no any way effect the actual performance of the higher frequency drivers. Raul, do you live in a bomb shelter? Put on a 20 Hz test tone, crank it to 90 dB and I absolutely guarantee you that your house will become a symphony of rattles. When are the final versions of the subwoofers going to be ready? About two months after my wife stops handing me stuff to do. The prototype has been made and it works as advertised but it is nothing special to look at. It is used more or less to develop construction methods and procedures that will work and minimize waste. |
The TL is not a “sub”woofer. Nor did I want it to be. I’ve built two pair, so I’m well aware of the complexity, but I beg to differ on the woofer shaking the cabinet. Not much of that happens because the driver is very lightly loaded. Anyway, one inch thick HDF makes my cabinets very solid. Formica over that for a rosewood appearance. Nor did I need the lesson on TL design but thanks anyway. |
Dear @mijostyn " It will in no any way effect the actual performance of the higher frequency drivers. "
I never posted that. Do you think I'm so stupid to post that?.. Come on mijos.
This comes from 2005 ( 17 year ago ) and I learned way before:
R. |