Interestingly pro audio folks don't really reference ASR and don't generally quote specs when discussing monitors (eg on forums like Gearspace). It's much more about their subjective experience listening. Remember these are folks who are literally paid to listen to music critically and make minute adjustments to it all day long, including being able to pick out very precise frequencies and level adjustments. They have very well-trained ears.
Who says studio monitors are "cold and analytical"?
Who says studio monitors are "cold and analytical"? Does that mean audiophile speakers are warm/colored and distorted? If Studio Monitors main goal is low distortion, does that mean low distortion is not something audiophiles want? They want what, high distortion? "Pretty" sounding distortion? Or find pretty sounding speakers that make bad recordings sound really good? What is the point of searching out good recordings then? They won't sound as intended on a highly colored distorted speaker!
- ...
- 122 posts total
- 122 posts total