Indeed, Masseto is superior to old Monbrison. The point of bringing Monbrison in my previous post was to consider Monbrison over Aurieges. If I have an opportunity to grab Masseto, I wouldn’t think twice. It is my belief that newer revised Monbrison is better than Masseto.
Shindo Masseto w Koetsu .3mv output
Hoping to get opinions on whether the MC stage of a Shindo Masseto has enough gain to produce strong dynamics from a Koetsu Rosewood Sig Platinum cartridge (.3mv output). Or would I need a SUT?
Bonus question: any opinions on whether I would get better overall sound using an Aurieges pre (newer version) w an Hommage SUT through its MM section, or by playing straight into the MC section of a Masseto? The cost of each of these setups could be close to one another on the used market. When I say better sound, my priorities are a very organic "you are there midrange", lots of instrumental textures, realistic soundstage cues, and overall emotional impact of the music.
Thanks very much for any thoughts. My table is a Sota Nova vacuum and tonearm is Jelco TK-850 10". Amps are Quicksilver v4 monoblocks.
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- 24 posts total
- 24 posts total