Bypassing Caps - what is it really about?


I understand the theory, but I've never been clear on the practice. 

Some say its to extend the highs, but I see people using stuffy vintage caps as their bypass. I've also seen people bypass incredibly good existing caps with more, like Dueland on top of Dueland. So what is this really about? Is it about mixing tones of the capacitors?

 

clustrocasual

noromance has it more or less. Bypassing caps has it's basis in good EE design, especially older but also best bang for the buck designs. 

Think of actual caps as a series of parts:

 

--> Capacitor --> Inductor --> Resistor ---> 

 

As the frequency goes up the cap no longer acts like a perfect cap and the inductance becomes a problem.  By bypassing this with the appropriate values of smaller, higher quality caps you can get maximum value for your money.  Imagine a situation when you need 100uF.  The cheapest option may be an electrolytic but may become inductive too soon.  So you buy a 100uF and bypass it with something pricier (per uF) but smaller, like a 2uF film or tantalum cap to overcome the internal inductance. 

The reality of audio gear however is complicated.  Sometimes a good bypass cap can help, sometimes it does nothing.  I like Clarity CMR caps a great deal, but at values larger than 4uF or so they do audibly benefit from a small bypass cap.  Below this value I've not found a bypass cap to help at all.  

I suggest you get a pair of Audyn TruCopper 0.1 uF film caps and experiment for yourself.  The argument of the value of bypassing or not is not ever going to be solved in an online forum. :) 

Bypass capacitors in crossover circuits are, in my opinion, useless. The reason bypass capacitors are used is to lower the overall impedance at frequencies where the equivalent inductance of capacitors has the dominant impedance, which is above the resonant frequency of the capacitor’s inherent RLC. That frequency is way above the audio range.

If you take, say, an exact 10uF crossover cap and bypass it with an exact 0.5uF cap, all you have is one 10.5uF cap. However, if that 10uF cap has a tolerance of 5%, then it can have a 10.5uf capacitance on the high side. Which is exactly the same thing as the 10 plus 0.5 cap in parallel. So I don’t see what benefit piggybacking a cap does to a crossover.

In power supply circuits, the RFI can easily exceed the resonance of the filter caps. That is why bypass caps are used, to lower the overall impedance at those frequencies to shunt the noise to ground.

Thanks for the answers! I would not have intuitively thought about this because the caps I’ve used (Audio Note, VCap, Jupiter, etc) all seem to have fantastic high frequency sound, even if their ESR measures this way or that. (I kind of wonder what kind of person uses VCap teflon or Deuland silver and still doesn't hear enough high frequencies detail) 

I do have a 350uF industrial filter cap on the preamp plate, and that seems like a target for bypassing to experiment with.

Also, from reading articles from various "tone" guys. they seem to bypass based more on blending the sound of their caps. For example I’ve blended electrolytics on each wave of the rectifier, it seems strange each get a different brand of cap, but it did "split the difference" in sound...one Elna was too noisy, the other Kaisei was too intense.

 

The 10uF film capacitors we use behave like near ideal capacitors almost to 1MHz. Bypassing that capacitor with a smaller one is not going to have any benefit.

I am not an electronics expert, but I know speakers well. For crossovers, this bypassing of a large capacitor with a small one, from what I have read, often very small, sounds like an urban myth that became real.

The effect of a capacitor in a crossover is related to its impedance at the frequencies you need it to work. Others have mentioned the capacitive element and inherent resistance and inductance. A 0.1uF capacitor is going to have lower inductance than a 10uF capacitor, but the resistance may be high, and at the same frequency, the effective of capacitance is 1/100. That 0.1uF capacitor is not going to fix any perceived issue with the 10uF capacitor. Maybe a 1uF and a 10uF, but then you have a much different capacitor and perhaps a 10% change in crossover frequency. Maybe if you are using first order crossovers, bypassing an electrolytic with a film capacitor if the film capacitor is a significant portion of the electrolytics values could be beneficial in a shunt location, by preventing frequencies at say 10x the crossover frequency. I am clutching at falling straws at this point.

Maybe in an amplifier or pre-amp bypassing an electrolytic audio coupling capacitor with a small film capacitor will have a benefit over the full frequency range, but I will leave that answer to the EEs.