Question about how analog audio recording works


Hello!

My wife and I are high and having a discussion about how sound is recorded on records. I have an, I think, more than average understand of how sound and recording/playback works so I was trying to explain how grooves on the record represent sound waves.

What we don't understand is how polyphony is physically represented. So I can see how a single sine can easily be represented on a record. But when you're talking several sounds at once, some on the same pitch some now, dozens of timbres happening all at once, how do we differentiate those sounds on a physical medium like vinyl, or how do we represent it digitally? Is it literally nothing more than 1s and 0s? That'd be sick

Anyway, I hope this makes sense. Thanks!

maynovent

dweller

I've wondered this same thing about speakers. How does a single driver replicate sounds of different freq. at the same time ...

Again, it's the math of the Fourier Transform, that a continuous function (such as an audio signal) can converted to a form that represents the sum of a series of terms.

In air, there's no such thing as polyphony.  Air pressure is either rising or lowering. The sound of a violin, or drum, or any complex sounding instrument at any instant in time is creating pressure at a microphone which is either going up or going down or still when silent.

That up and down is what a vinyl record tracks, and what a speaker driver represents as it moves towards you or away from you.

I've wondered this same thing about speakers. How does a single driver replicate sounds of different freq. at the same time without stepping on itself and smearing one or the other? 

@dweller Full range drivers are not an example. They fall all over themselves all the time due to breakups and something called the Doppler Effect. Finally, 'full range' drivers don't exist. All of them will need a subwoofer and a tweeter (to fix beamy-ness); in essence 'wide range midrange driver' is a far more accurate description.

 

The ideal Freq. range for a midrange is 200-2000HZ (range covered by the human, singing, voice). How can a physical object vibrate at both 200HZ and 2000Hz? I know it's true, I just don't know how. And that's O.K....

Compact discs do not have 1's and 0's embedded in the polycarbonate. CDs have a series of pits on an aluminum layer arrayed in a spiral pattern. A red laser follows the spiral groove from the center outward. The reflected laser light is read by a photo detector which converts the light into varying voltages according to intensity. The data on the CD is encoded by the different distances between the pits. These distances are called "lands". A transition between a pit and a land can be either a 0 or a 1. It is the transition between pits and lands that is the basis of optical data encoding.