Phantom Supreme to 4Point-14?


I'm considering it. Who's done it and what did you think? Members who've heard a head-to-head comparison are also welcome to chime in.

The turntable is an SP10R in Artisan Fidelity plinth. Cartridges at this point are an mainlyan A90 and Benz Ebony TR, but I'm planning for a MSL Gold or Platinum sometime down the road.

Thanks.

wrm57

Thanks, Steve. Yeah, I'm afraid I'm one of those guys who adjusts for different LPs. Just can't help myself. And if I didn't, I'd just sit there thinking I was maybe hearing incorrect VTA. Audio nervosa takes many forms.

I spoke too soon. It looks like the 11 won't fit in the back position after all. My rough modelling shows that the headshell will not clear the tonearm installed in the front position. Bummer.

I don’t really understand being satisfied with incorrect VTA. We go to all the trouble of precisely aligning cartridges with uber-precise tools, getting cantilevers just right, and dialing in VTF to two decimal places. Some use devices to nail azimuth and eliminate crosstalk. Why? Because it makes an audible difference. Some even set SRA at precisely 92% with digital microscopes. Why? Because it makes an audible difference. If we concede that precisely 92% SRA is what the physics demand, and what our ears can and do hear, then how can we be satisfied when we change that 92% by plopping on an LP that changes the angle and the sound? I mean, when I go from a 120g to a 180g and forget to adjust VTA, I hear it and get up and change it. And I’m not saying I’m some sort of golden ears.

I know we all do this hobby in different ways, and I certainly I don't mean to disparage other approaches. But here I am in mine, for better or worse, and so far it has required easy VTA adjustment.

FWIW. the Holy Grail for SRA is 92 degrees (an angle), not 92%. This was an estimate of the angle made by the cutter head and based on the notion that one wants SRA to exactly replicate the angle of the cutter head when playing an LP. Some gurus have disputed the notion that all studios used 92 degrees at all times. Others have suggested that the optimal SRA would also be slightly different for different stylus shapes. I DO require easy VTA adjustment, but I don’t get caught up in the 92 degree angle worship. I don’t adjust VTA for each LP. And yet, I think I am a good person nevertheless. There’s too many reasons why 92 degrees might not actually be optimal, and some LPs just don’t sound as good as other LPs no matter what you do.  "Physics" doesn't demand bupkis because it does not give a darn about our fetishes.