Better Records vs MoFi

The Better Records process (shoot outs) is about a strong as one could use to find outstanding sounding copies of LP’s. One just has to read their blog consistently. They have the most valuable information advantage and historical knowledge of anybody in the world on LP’s that fit their model. 
 

I would argue that their best values are albums like Led Zep 2, Sticky Fingers, Ziggy Stardust, etc…. Generally even with the pressing (stampers) identified to likely win a shoot out you still need a number of clean copies to find the Hot Stamper, Nearly White Hot, and White Hot. 
 

There are plenty of great LP’s that don’t fit their model, Big Star’s LP’s as an example. 

Even though there are good, better, best, I can’t get into which pressing

but, after finding a performance of great musicians at the top of their game:

It’s the engineering, whether the people setting up the recording room, # and type and placement of mics; later decisions about imaging and volume levels,

’they sure knew what they were doing’ comes out of my brain/mouth when it’s great.

I’ve heard terrific musicians, great trios, different venues, awesome live recordings, some wandering imaging, some disappearing instruments, some drums right side then moved to center for solo.

The better your system ’images’ the better/worse is revealed.

When I inherited 4000 lps, I quickly divided them into two categories: sell/keep, blend with mine, pull more to sell.

If I saw Rudy Gelder’s name, KEEP!!!

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Other Opinions: Other great engineers (especially Jazz) ________?

 "They have the most valuable information advantage and historical knowledge of anybody in the world on LP’s that fit their model."

Good grief...nice plug. Lets all shill for Better Records!

There's nothing special about what Better Records does. Buy 20 copies Aja AB 1006 and listen for the best condition/sounding one.

No hate on the guy, he had a vision and it sells.

Some of the "sizzle" hype /superlatives is nonsense, but clearly, it's working for him.

Shill? No, just a fact. Their pressings of Aja are relatively more expensive because it is a $10-20 record. When the source LP is $50-100 plus (sticky fingers) it is a different story. 

Do I have to pay an annual membership to be part of the Golden Ear Club?  When I read about $900 LPs I want to scream "Stop The Madness".  But wait, why not just start buying all your records from https://electricrecordingco.com/ who are producing brand new limited edition pressing from the original tapes for the low cost of +/- $500 each?  I know it's your money and I have zero right to tell you how to spend it.  But be honest.  Don't you get just a little embarrassed even talking about $500 records?  🤔