Better Records vs MoFi


I’ve read about Better Records on the site. They listen to endless copies of records & separate out the amazing sounding pressings. I can understand because of many variables, some sound better than others. But, can a great sounding regular pressing sound better than a half speed master? Doesn’t a HSM have more music data on it?

I don’t want to go down a rabbit hole. If the BR premise holds up then there are certainly better pressings of Dark Side of the Moon etc. I’m not concerned with that. I’m also not interested in cost or “X sucks, I’d never buy one.”

tochsii

Even though there are good, better, best, I can’t get into which pressing

but, after finding a performance of great musicians at the top of their game:

It’s the engineering, whether the people setting up the recording room, # and type and placement of mics; later decisions about imaging and volume levels,

’they sure knew what they were doing’ comes out of my brain/mouth when it’s great.

I’ve heard terrific musicians, great trios, different venues, awesome live recordings, some wandering imaging, some disappearing instruments, some drums right side then moved to center for solo.

The better your system ’images’ the better/worse is revealed.

When I inherited 4000 lps, I quickly divided them into two categories: sell/keep, blend with mine, pull more to sell.

If I saw Rudy Gelder’s name, KEEP!!!

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Other Opinions: Other great engineers (especially Jazz) ________?

 

 "They have the most valuable information advantage and historical knowledge of anybody in the world on LP’s that fit their model."

Good grief...nice plug. Lets all shill for Better Records!

There's nothing special about what Better Records does. Buy 20 copies Aja AB 1006 and listen for the best condition/sounding one.

No hate on the guy, he had a vision and it sells.

Some of the "sizzle" hype /superlatives is nonsense, but clearly, it's working for him.

 

Shill? No, just a fact. Their pressings of Aja are relatively more expensive because it is a $10-20 record. When the source LP is $50-100 plus (sticky fingers) it is a different story. 

Do I have to pay an annual membership to be part of the Golden Ear Club?  When I read about $900 LPs I want to scream "Stop The Madness".  But wait, why not just start buying all your records from https://electricrecordingco.com/ who are producing brand new limited edition pressing from the original tapes for the low cost of +/- $500 each?  I know it's your money and I have zero right to tell you how to spend it.  But be honest.  Don't you get just a little embarrassed even talking about $500 records?  🤔 

"White Hot Stampers $600-900" - just the thing for new dot.com millionaires to play on their new $60K Linn Sondek 50th Anniversary TT's.