Guttenberg reviews Volti Razz

@audioman58 Good point and good advice. For myself when I'm in the market for something I read and listen to as many points of view as I can. Of course also here on AG. Then if there seems to be a mostly positive consensus and no glaring flags, I set off to use my own ears. 

When I was in my favorite college job, one of the only two high end shops in my town, my boss noted I read every audio rag out there, Sterophile, TAS, HiFi Choice, etc... He said something along the lines that there is a mutual relationship there. Reviewer's need companies to send gear to review to sell copy, companies need reviews to sell gear. Reviewer too harsh = less gear sent = less gear and magazines sold. 

@audioman58 and one of them is Steve Guttenberg. He said so himself. Steve actually stated recently-ish that if a product he has would be getting a bad review from him, he opts to send the unit back to manufacturer and skips doing a review. His stated reason was not wanting to take part in a taking down or hurting a business. He simply prefers to only review things that will be a good review… I’ve seen Steve hit the nail right on the head describing a unit I am also familiar with, like the OP says, too. With that said, I don’t think he’s untrustworthy just because he likes to review in a positive manor. He’s still gets it right and does still mention ‘negatives’ that may be helpful to someone. 

Doyle3433   Very good points   As I said when selling gear. 1 review is just  one’s opinion , multiple reviews from several different sources  are a more accurate consensus. I have heard Horror stories one from a excellent company years ago 

who was Called ESP. Their concert grands, and Harps outstanding , 

the 2 Biggest audio magazines said give us $50 k and you will have superb positive coverage ,sadly he was just growing not like B&W ,Wilson who had deep pockets 

came up with 20% of that he received a decent review and little coverage 

and being speaker of the year in  I think Fi magazine later 90s he had to shut down and moved back to Ireland . I bought a pair they were fabulous until they were destroyed in a fire.   This happens to many products , look for return policies 

and auditions . These big companies 30% of the markup is their advertising ,please keep this in mind . Thsts why for now the Dynaudio floor standersi rebuilt are staying put I put Svs 4000 sub ,maybe adding a 2nd one and they sound better then anything over $12k+  the Xover was the weak link they had $400 in parts 

I spent $1600 a mfg would charge $6k 4-1 ratio , which wouldnot happen ,many use the cheaper Mundorf Evo white capacitors when in fact their Black Supreme are by far their best , and their $4 mox resistors , they make $30 ultra you are seeing in the Magico A5 .I use the excellent Path audio around $30 each 

quality counts ,as well as connectors most companies use bright gold over brass connectors ,I use WBT , and why on amplifiers would you create a bottle neck 

for $25 a Furutech gold Copper IEC  is 4 x better conductivity far less noise resistance ,they use a $3 plated  brass , it makes no sense just to save a few bucks 

judt charge the extra in the build ,pennywise pound foolish . I change. Many things myself , I hate when mfg think of $$ before quality.

Last year was my first time at capital audio fest, and out of all the rooms I visited, the Volti room with border patrol 300B amplification, Innous front end, and Triode Wire Labs cabling stopped me dead in my tracks. The combination was sublime, and I ended up spending a longer time there and chatting with the hosts.

Guttenberg has addressed his review methodology publicly including why he doesn’t do negative reviews (with at least one exception):

https://youtu.be/M4K4M1C-PXs

The Volti/BP/TWL room at shows is always an oasis to relax and be involved in the tunes they are playing. They always show together and their friendship is rewarded with consistent top shelf performance, one aspect of many this system reminds you of is how dynamically restricted many other systems are, I think the dynamically alive presentation really helps the illusion of live music, well done Greg, Gary, and Pete!