Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

@stuartk If you dont have the  Dizzy Gillespie Sonny Side Up LP I highly recommend it. Give it a listen on Spotify first before spending on the LP....

Sonny Side Up - Wikipedia

All 4 songs are great but The Eternal Triangle and After Hours are desert island songs for me...

You can clearly hear the smoother tone Stitt has on his tenor compared to Rollins on his.

The opening features the two tenors playing the same notes as one then Rollins solos first from 0:40 - 2:55 then Stitt jumps in to solo. Throughout they play as one at times while exchanging solos and Dizzy jumps in as well in a blistering pace...

The Eternal Triangle - YouTube

Blues at its best

After Hours - YouTube

 

 

Sonny Rollins, Right behind Coltrane. Favorites/ All definitetly essential-- 

Stuark, we can be friends, but I have gotten rid of girlfriends for less.😂

https://www.youtube.com/watch?v=_W9OG1PVOnc

 

https://www.youtube.com/watch?v=2MKA69yRwE4

 

https://www.youtube.com/watch?v=opMGArDXEYE

@acman3 

I agree those 3 Rollins albums are a must have and would be on the desert island list...Elvin Jones plays drums on the evening set at the Village Vanguard.

Another desert Island set Coltrane with Eric Dolphy

India (Live From Village Vanguard/November 1,1961) - YouTube

More on Sonny Side Up 

Borrowed from All Music

It once went without saying that to become an authentic jazz player, you had to graduate from the school of bebop. Not that the music of Bird and Diz was the "ultimate" art. Rather, it was provided the "language"--melodically, rhythmically, harmonically--that any aspiring jazz artist required in order to communicate with accomplished players during a jam session.

Verve producer Norman Granz was promoter of an annual tour ("Jazz at the Philharmonic") featuring jazz stars (no printed music and no rehearsals!). Granz brought the same loose, "jam session" format to his Verve sessions--especially the albums under the leadership of Dizzy Gillespie. "On the Sonny Side" is one of his best (and my personal favorite). The two Sonny's are Stitt (a Bird-influenced altoist who was equally masterful on tenor) and Rollins (the most talked about young tenor player in jazz, just prior to his "Saxophone Collossus" album and before surrendering the spotlight to Coltrane. But perhaps no recording session acquits the often-neglected Stitt more convincingly than "Eternal Triangle."

If you're new to the "note-storms" of bebop, or early modern jazz, it can overwhelm, esp. with an engineer who favored loudness and 'in your face' presence at the expense of depth and clarity. Try sticking with just the title track until each of the 4 "voices"--2 tenor players and Diz' trumpet and vocal--becomes identifiable, even familiar. (There's an incredible vocalization of each solo--in the same sequence, same register, and timed to the exact second) by virtuoso jazz singer Roberta Gambarini. That's where I'd start with my grand-kids (who have yet to learn about an "instrumental voice" and "Swing"). Gambari's remarkable feat is a track from her 2008 album, "Easy to Love."