"The Night They Drove Old Dixie Down".


 

I am very fortunate in having heard this amazing song performed live by The Band on their tour in support of the s/t "brown" album. The only other live music experience I’ve had that equals it was hearing Little Village perform John Hiatt’s "Lipstick Traces" on a soundstage in Burbank in ’92. The Little Village album was not so hot, but they sure were!

The Beatles? Saw them in ’65. Hendrix? Saw him in ’68 and ’69. Cream? Saw them in ’67 and ’68. The Who? Saw them in ’68 and ’69. Who else ya wanna name? Sorry, hearing The Band live spoiled me for just about EVERYONE else. Not Iris DeMent, whom I just saw this past Thursday. Stunningly great!

 

Here’s J.R. Robertson, Eric Levon Helm, and some other guy talking about the song and its’ creation:

 

https://youtu.be/nVYBW_zCvOg?t=1

 

 

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Just heard yesterday on Sirius / XM a liver version of “ Don’t Do It”  -outstanding!

The re -mastered  2nd “brown album” on Qobuz is also excellent!  It’s a simple & very good recording with the real tone & power of Levon Helm’s drum kit shining through & really nice layered background vocals especially on “ Up on Cripple Creek ”. 

I don’t think to really appreciate the Band, you need a system that has a full bottom end & can play pretty loud. As with many bands, the bass guitar & drums drive the music & this is especially true w/ Rick Danko & Levon.  What a uniquely talented group of artists! 

@jonwolfpell: Yeah, that live recording of "Don’t Do It"---which is the opening track on The Band’s double live album Rock Of Ages---is killer. There’s a studio recording of the song, but it appeared only as the B-side of the "Rag Mama Rag" 45 RPM single.

The song was written by the famous Motown team of Holland/Dozier/Holland, and originally recorded by Marvin Gaye. Prior to hooking up with Dylan, The Hawks were more of an R & B bar band than anything else. It was only during their year (all of 1967, except for Levon, who had quit the Dylan World Tour in late-’65. He went to the Gulf and worked on an oil rig!) in the basement of Big Pink---being tutored by Dylan in all American musical styles---that The Hawks evolved into The Band.

Pianist Richard Manuel did most of the drumming heard on the Basement Tapes recordings, and on about half the songs on the s/t brown album. His drumming style is very hip, and full of intentional, sly humour. Levon was enticed back when bassist Rick Danko called him and said Capitol Records had offered them a million bucks to make an album. By then Levon was in Los Angeles, hanging with Leon Russell, Jesse Ed Davis, and the rest of the Tulsa crowd. Levon was giving drum lessons to the guy who ended up drumming in Linda Ronstadt’s original band.

"Lexicon Of Love" is one of the all-time great pop recordings!  I lump Duran Duran with INXS.  Both had their own sound and wrote catchy tunes, well performed.  Neither were great, but they could be quite enjoyable.

It's all about what we listened to when we were young. I'm going through a divorce right now. Last Saturday, I went down to Godfrey Daniels coffeehouse that I used to frequent when I was young. MANY of my friends were there whom I haven't seen in years. It was great! $27.00 at the door however! No more $5.00 Saturday nights. I had a blast. four of my top favorite artists I discovered at Godfrey's. Long live folk music!

If you give consideration to live performances or albums, give a listen to The Band’s “Rock Of Ages”. Recorded years before “The Last Waltz” on the cusp of 1972 in Brooklyn. Horn section added for the performances gave them a whole new element. The song “King Harvest” is one of the best songs I ever heard written about The Depression.