Electrostatic speakers and low volume resolution


I've used electrostats almost exclusively for over 35 years and am just now questioning whether it is my somewhat compromised hearing (73 yrs old), the nature of that type speaker, or both that lead me to this question. At "normal" listening levels factors like detail, resolution, timbre, etc are excellent. At lower volumes, though, I lose these attributes. I realize that my age related hearing deficiencies could account for these loses but am questioning whether the nature of speakers themselves could be a contributor.

It's been awhile since I've used conventional speakers so my memory might be lacking but this didn't seem an issue when using them. The two that I owned and recall having the best sound to my ears were the JMLab Electras and the Jamo Concert Eights. My current speakers are the Martin Logan Ethos' which replaced the Odysseys that were in the system for 12(?) years.

For various reasons I need to listen mostly at reduced volumes, so, before I start looking to trade my Ethos' which I very much like, btw, for something like a good pair of stand mount dynamic speakers, I'm asking for input.
128x128broadstone
^^It might be, but when you use the 4 ohm tap of most tube amplifiers, the output transformer often has a loss of bandwidth at both extremes and some are better than others. The ZEROs take care of that problem by allowing you to use a higher impedance tap where the transformer is more efficient and the amp makes less distortion.

While fundamentals of instruments don't go that high, harmonics of them certainly do.
Good, I guess my understanding wasn't THAT far off. Based on what I've learned in these discussions, then, I am interested again in trying a tube based power amp with the ZEROs. I will still keep the Peachtree Nova as a preamp for its latitude of source connections and keep the ML's partly because they're new and partly because, having used electrostats for 35+ years, I'm habituated to their sound. The next step will be to decide on an amp. Atmasphere, does it make a difference whether the ZERO unit is located at the amp or speaker end of the cable?...I'm considering using the naked ZERO but, based on cost considerations, it will be awhile before I make these purchases.
Atmasphere, I read your article on the development history but forgot to ask an important question. Would it make sense to try impedance matching with my SS amp first before buying the tube amp to see if that improves my low volume issue? Also, if I plan to use the ZERO might I just as well get an OTL amp?
We do have customers that have had Martin Logans and our amps for extended periods- one guy still has the same speakers (CLS2s) and a set of MA-1s built in 1990. So you can use OTLs.

Paul Speltz, who makes the ZEROs, has a letter from Steve McCormick that states that his solid state amps sound better driving 4 ohms through the ZEROs than they do direct, and Steve's amps drive 4 ohms without difficulty.

IOW even solid state amps make more distortion when driving lower impedance loads (this can be seen in the specs of any solid state amp), so the ZEROs can be used to reduce that distortion. Since the ear translates distortion into tonality, the result should be smoother sound.


I've pretty much decided to buy an autoformer whether or not I decide to switch to tube amplification but I have a question re choosing the best impedance tap to use. Because I use electrostatic hybrids, the amp sees a very wide range of impedance loading relative to the frequency of the signal. With this in mind, along with the term "matching" in my thoughts, and having awareness of the 4 ohm "nominal" impedance of the MLs, how do I choose the best tap?

In my limited research on the subject I assume that 16 ohms (if reachable) is at least a safe starting point. Also, when considering the starting point to calculate multiplier values, does one use as a starting point the 4 ohm nominal or the less than 2 ohm value of the estimated lowest impedance that may be expected?