Graham Phantom Elite vs. AS Aquilar


Who has spent time with either--or preferably both--of these two 10-inch arms? They check in around the same price-point and offer many similar features. I'd greatly appreciate feedback on sonics and overall user impressions.

I've been running Grahams for years, so I'm very familiar with their ergonomics. How does the Aquilar stack up? On paper it looks similar in adjustability, but what about in actual use? I'd love to hear from folks with experience.

Thanks in advance.

 

wrm57

@wrm57 

These issues are not theory. They all contribute to the performance of the arm. Whether or not you can hear the difference, frankly, means nothing. With any one issue you may not be able to discern a difference, but put them all together and you are more likely to hear a difference or not. Some people's hearing is more influenced by what they see then sound waves in air. 

I can not play with or listen to every tonearm on planet earth. So, I have to pick and choose based on the arm's design and reputation. I am more likely to get an arm that works well by paying attention to design principles.  

@mijostyn, I hear you, I really do. And I admire the rigor of your approach, and largely agree with—and benefit from—your conclusions. So keep ‘em coming!

Dear @mijostyn  :  With wich cartridges did you already tested the EPA 100 and compared against wich tonearms?

Theory is just that theory and is good but it's not all down there. As the EPA 100 other vintage tonearms as the MAX 237 or the GST 801 were and are great tonearms even if goes against that theory and in the past almost all great tonearms came with removable headshell, yes a trade-off but if you have several cartridges then that´s a welcomed trade-off because we can mate each cartroidge to its best headshell " couple ".

 

Nothing is perfect and you already know that.

 

R.

 

R.

@wrm57 

You forget I use to work in this business. 

I keep telling you it is not theory. It is basic physics. The problem with very simple devices like tonearms any bleeping idiot can design one. Give a bleeping idiot enough money and a good marketing department and the results should not be in question. Now technics is a fine company that has come out with landmark items. We all have specialties and I'm afraid the Japanese are not good at tonearms or loudspeakers. For tonearms you go to the British, Germans, and now eastern Europe has gotten into the act. America is trying but has not got a real winner yet. 

Can anyone hear the difference......Hello......Is there anybody out there?

@rauliruegas ,

Again, it is not theory. The EPA 100 is a beautifully made device like a Nikon Camera. It is just deficient in a few design issues that make it antiquated. There are better tonearms made today even if they do not have the jewel-like finish of the EPA 100. You also have to remember where the eye go, go the ears. It is the way we are wired. No, there will never be a perfect tonearm. The notion, in modern terms, is patently ridiculous.