The Benchmark may be a good candidate. The other thing to consider is moving up the Bryston line. Here’s a nice BP26 at a good price — it doesn’t have the phono section but you could either use the one in the 11b or get a better separate phono stage, which is what I’d do as it’s an important component.
https://www.audiogon.com/listings/lisb6ebf-bryston-bp-26-17-silver-mm-phono-excellent-solid-state
I had a BP6 for years and it was the proverbial “straight wire with gain” component that produced a silent backdrop from which images just popped within an expansive 3D stage — it was a poster child for utter transparency. James Tanner told me the BP6’s topology is near identical to the BP26 with the major difference being the 26’s balanced connections and separate power supply. I’d have to assume over the past 25-30 years Bryston has made some significant improvements so this might be worth considering if you just want more of what you already have.