@mahgister
Well, honestly everyone’s experience is different and their objectives different. There is a class of folks that @mrdecibel alludes to who have the money and are listening to their systems, and want the latest great reviewed amp or speakers, and yeah, they are kinda lazy. They want the prestige of the latest Mark Levinson amp. To me, that is not an audiophile… they are really not into the music.
To me, real audiophiles are dedicated to achieving the best sound / music reproduction possible over the long term. So how much system listening / music listening a person appreciates falls unto a continuum. I know I have been seduced somewhat by certain system aspect at times… but my main interest has been music, as most but not audiophiles.
Over my lifetime I have been able to invest larger and larger amounts of money in my systems. Audiophilia is not a pursuit of the lazy or stupid… so, in general they are likely to do well in life, especially over time. I think this is true for most audiophiles. It is not unrealistic to expect their income will rise over the decades. So better systems are in the future.The amount of effort I have put in, has probably been relatively constant at hundreds of hours a year for over five decades. Invested in reading, researching, listening to acoustical music, auditioning systems and equipment, and tweaking my system, even though I only upgraded on average once every seven years.
While it is not the cost of a system that makes the audiophile… it is the dedication and passion to the pursuit that makes the audiophile.
So, if you are looking at a typical audiophile, they will be looking to upgrade their system over decades. The most difficult time for someone new to the pursuit is the first decade… it can be very overwhelming, there are so many ways to get frustrated… sideways moves, trading one benefit and losing three… chasing detail and loosing the musicality.
One of the most eye opening experiences that has happened to me repeatedly during my pursuit of the high end has been to stretch and buy a real piece of audiophile gear… frequently used in the beginning. Real audiophile gear, even if old (well, typically less than 10 years) typically outperforms “the DAC or CD Player of the year” or the new hit, by a large margin. These components have every aspect optimized by design engineers that completely understand the nuances of high fidelity sound. You know, the 45 pound preamp, or 150 pound amp. Why? Every detail has been meticulously considered and optimized. The manufacturing processes have been carefully crafted, with all sorts of tests and checks to guarantee flawless operation. These products have been perfected over decades of research, addressing all aspects of sound quality, not just a few.
My point is, if you are working to put together a truly exceptional system over the long term, navigation through the complexity and ambiguity can be aided by staying mainstream audiophile… real audiophile gear, when possible.