One key to building great systems over time.


One of the great things about participating in an audio forum like this is that it exposes you to users with all sorts of experience levels. Analyzing questions, I find myself assessing the person’s experience and then going back to that time in my history. I have been at this for fifty years… and I am constantly called back to my first few years when I was working to make sense of the whole environment.

 

It dawned on me that one aspect that really helped me was learning to focus on “main stream” highly reviewed (professionally) audiophile equipment. 

 

When you are young and have few pennies you have to take chances on “giant killer” components… and off beat / new astonishing technology. You have lots of time and little money. But looking back, after the first few chaotic years of swapping this “astonishing” component (that had a couple good attributes, but a lot of weak ones)… I slowly realized that the components that stayed in my system (like for 10 years or more) were highly reviewed components from respected high end companies. Back in the late 70s’ early 80’s that was, as an example:  Audio Research, Threshold Pass), and Nakamichi.

 

They cost lots more… but, if I would actually buy one… well, my jaw would drop… and I would realize… holy cow…so worth it!  My search for that component would end.

 

Over the ensuing decades, putting together a fantastic upgraded system has become much easier. The last couple major upgrades I have made… ~$45K to $75K and finally to $150K have had completely predictable results been the most fulfilling of my life. The decisions were simple.

 

So, for those just starting out… trying “highly touted” giant killers is a necessary way of assembling a system that is outside of your budget. But this also leads to lots of disappointments and equipment churning. 

 

I think my advise is to read lots of professional reviews (they are not all perfect), listen to that equipment when you can, and invest in these well regarded audiophile company components as soon as you can… or sooner. As a beginner, you don’t know what you don’t know… so companies with long histories of being at the very top of they fields are very likely to outperform in ways you are not aware of. 

 

I am talking about companies like Conrad Johnson, Audio Research, Boulder, Pass, Wilson, Sonus Faber, Rowland, Aurrender, Magico, Transparent. That is not an exhaustive list.

 

I hope this is helpful to those trying to make sense of this very complex and contradictory pursuit.  

 

 

 

 

ghdprentice

There is not only a minimal level of acoustic satisfaction for any piece of gear at any price in general, but also an optimal acoustic satisfaction level for a specific chosen piece of gear, then there is 2 threshold defined by various acoustic concepts both objectively and subjectively because we can learn how to control these thresholds to some degree and to some level...

But these two thresholds are also related to a S.Q. /price ratio... A diminushing returns "law" in an objective and also subjective double way, 2 thresholds also here, which define a non linear relation between price and quality in audio ...

Then how can we get what we pay for ? If there is no linear relation between price and OBJECTIVE acoustic experience nor any linear relation between price and SUBJECTIVE satisfaction ?

You cannot buy knowledge and we always pay for ignorance...

For sure in principle a Magnepan speakers for example are way better than a small pair of active 4 inches bass driver speakers paid 100 bucks 12 year ago...

But wait a minute , what if i put the magneplanar in a bad room with the wrong coupling gear, and what if you couple the small box ideally in a perfectly well controlled acoustic environment and if you modified them to reach clear 50 hertz ?

I know because i listened to these two cases...

Guess which experience i prefered ?😊

Read me right here magnepan are better in principle to  low cost small active speakers even if well designed ( mine are ) ...But any piece of gear need to be coupled and embedded well to give a positive optimal sound experience...

It is the reason why i take seriously only basic knowledge, especially acoustics, over reviews of gear where the reviewers claim to deliver knowledge ...

I need to increase my knowledge way more than i need upgrading my components.. This is true not only for me as a principle but for everybody ...

But people want to pay with money not with their time and studies...

The upgrading series of purchase comes from this very often... Not from enlightened and knowleadgeable studies and experiments... I myself lived through this upgrading bug too... 😊

 

 

 

The meaning of " audiophile " is a person who is enthusiastic about high fidelity sound. There is no further distinction between those who listen to the music, or those that listen to the equipment. I communicate with many listeners, and more and more of them put the music secondary to the sound of equipment. My best, MrD.

The definitions of audiophile I have heard and lived with for the last fifty years always include a very strong thread of obsession… always willing to… well in my case buy discount brands of paper towels, tp, buy an old cheap car (my used 1969 Datsun 1200, in which I rebuilt the engine, got me around for over 15 years, this’ll avoiding popularity with all but the most desperate woman), while I took out my first loan on a Threshold s500 amp ($5K, $19K in todays dollars). An audiophiles system always cost more than their car. This has always been true for me.

My partner always comments that the ratio between audio dollars and normal dollars is about 100 to 1. I will really try to find a way to avoid spending $20 but a $2K on a new cable gets an instant and easy yes.

Audiophilia is generally considered a disease by those with it as well as those around them… while somewhat jokingly… with a lot of truth.

There are also hi-fi enthusiasts and a couple other classifications where consideration is put into how much better does it sound… and is it worth it. Typically “is it worth it?” Is only heard from enthusiasts, or in private intimate discussions between two audiophiles… fully knowing no one else would even hear the minute difference being discussed.

@ghdprentice I am not here to argue, disagree, or judge. I am stating a fact, based on my interactions with people in the business, as well as consumers. And yes, I started this hobby in the early 60’s, so my timeline is similar. Say what you will, it is all good. The hobby caters to every kind of listener. I have heard multi thousand dollar systems, that do nothing for me. I will take my system, any day of the week. Being individuals, with our own preferences, is a wonderful thing. Enjoy ! MrD.

@mrdecibel

I agree that audiophile has no connotation on whether the person in question prizes listening to music or their system, or somewhere in between. Absolutely the high end audio cater to their clients. It is a continuum from nearly entirely one versus the other. Over our time I have met folks everywhere on the continuum. I’m not sure I have picked up on a trend over time.

I have heard lots of very expensive systems that have not appealed to me. The worst (to me ) are the details at all costs… with lots of distortion and high frequency hash… without rhythm and pace, and midrange bloom. Sometimes the systems are poorly set up, sometimes poor component matched.. I can usually tell what they were going for and if it is targeted at a specific audience (the detail / slam folks) or just poorly set up.

I have heard a lot more inexpensive systems that have sounded terrible. Often, less expensive components have more flaws and are assembled by less capable staff or enthusiasts. I have done a lot of auditions over the years. My partner and I have often started to listen to a system and quickly turned to each other and rolled our eyes and walked out. She is not interested in high end audio, but has ultra sensitive ears of a women that are easily offended by distortion and high frequency hash.


Your system looks very enjoyable.