gasoline powered automobiles are a most mature product technologically, presently
yet some of them perform much much better than others, differences aren’t subtle
technology (and its ’maturity’) are but one aspect of many that impact performance
The sound quality from DACs - is it all the same?
I've been talking to my cousin brother about sound quality. He is a self-proclaimed expert audiophile. He says that Audio Science Review has all of the answers I will need regarding audio products.
In particular, he says an inexpensive DAC from any Chinese company will do better than the expensive stuff. He says fancy audio gear is a waste of money because the data is already bit-perfect. All DAC chips sound the same. Am I being mislead?
He also said that any DAC over $400 is a waste of money. Convincing marketing is at play here, he says.
He currently owns a Topping L30 headphone amplifier and D30 Pro DAC. He uses Sennheiser HD 569 headphones to listen to music. I'm not sure what to think of them. I will report my findings after listening one day! (likely soon, once I get some free time)
- Jack
@mahgister , IMO, any DAC, i.e. digital/analog conversion --> filter deployment, etc is DSP. There is no such thing as a purist DAC really. Any DAC that uses FPGA is certainly not a purist DAC and is very much in the DSP domain. Even the common R2R dacs rely heavily on FPGA. Manufacturers don’t openly use the word DSP in their product lest they scare off the "purist" audiophiles. Low info audiophiles seem to be a bit too confused and/or conflicted when it comes to their understanding of what constitutes DSP or not. BACCH, HRTFs and all other proprietary FPGA intervention, etc is an attempt to evolve/enhance a DAC’s function such that it begins to realistically portray the presentation of a 3D soundfield, layering, spatial cues, detail, etc to the ears (as would be respresentative of live great acoustic spaces with unplugged instruments playing and no PA equipment involved) Lower cost DACs can easily match core SINAD measurements, noise floor, etc of any 10k, 20k, 40k, 80k whatever "high end" DAC. The real enhancement of the listening experience comes from the implementation of different types of DSP mentioned above. The latter comes down to the knowledge base/competence level of the individual manufacturer. In that respect, i have more faith in some of the bigger dogs (Sony, Yamaha, Sound United, Technics, etc) to come up with something worthwhile over the years. For example, Yamaha just invested ~100 million USD in audio R&D. I don’t care to waste my time (not a chance) with the fluff manufacturers a.k.a 1 guy tinkering in his garage and coming up with a price tag of 20k somehow! (he must think he’s that much of a genius!). For now, i have a Denafrips Venus (~3k), Technics SL-G700 SACD player/DAC/Streamer combo unit (~3k) and a TAD D1000TX SACD player/DAC (~15k msrp, you could get it for 8 to 10k, if you are tactical 😏). I can justify a higher cost for CD/SACD player/DAC/streamer type of combo units when they are built like a mac truck and last for life. If the DACs become outdated in 10 years, they could still serve as top notch quality transports. But, i couldn’t justify that level of cost for stand-alone DACs, a constantly evolving tech. |
Basic dac technology is mature ... This dont means that there is no higher quality dac offerings, there is plenty... this means that the ratio S.Q. / price has improved in an extraordinary way compared to what it was more than 10 years ago... And BACCH filters can be associated with a dac , it is a DSP technology but not a dac even if Choueiri offer to put it in his own dac concept... Then my point is if you are happy with a basic good dac , upgrading it is not necessarily the best option , buying another piece of gear can be the better road or improving your acoustic , electrical and mechanical system embeddings controls... ... I spoke for people like me with very limited budget... I like your last post and i am OK with it by the way...
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