@cetla416 I had modified my Orchid as well but when (thanks to @decooney ) I compared it to the Schiit Bifrost 2/64, I realized how much detail I was missing. This was not just a matter of a certain kind of tonality ("clear" or "shimmery" or "brighter") but rather one where the non-tube DAC actually was revealing notes and instruments I didn’t know where in the recording.
Of course, there are various views on this -- a lot depends on the actual DAC, how well it’s designed, parts quality, etc.
For me, this member comment ultimately rang the most true:
djones51
The question was, do tube dacs make sense, not can I buy a dac with a tube to distort the sound to my liking. The whole engineering concept of a DAC is to convert the digital to analog as precise without distortion as possible. From that perspective adding tubes and other filters to mess with the output makes no sense. If you want colorations, to me it makes more sense to buy a transparent dac for $200 and do the signal degradation with preamps or amps or EQ. It’s cheaper and in the OPs case it makes even less sense he’s already using a tube preamp
This is the direction I went. In short, I want my sources to provide the maximum amount of neutral information and I’ll season further on in the chain.