We hear meanings with our consciousness not mere hertz frequencies with the ears ...
It is why the human ears is not a microphone ...
You are not even wrong scottwheel ...
But i will not write a very long post to contradict your "not even wrong" observations conflating technological knowledge about the ears/brain and science open vast questions about this ...
Listen to my video above about the guru rolling in a fire and analyse "the trick" for me if there is one ... 😊
A very simple article to read to get my point ...
https://acousticstoday.org/wp-content/uploads/2015/08/Psychoacoustics-A-Brief-Historical-Overview.pdf
«Although research on complex sound processing was pur-
sued by many psychoacousticians, there was no overarch-
ing theory or organizing principle to integrate the knowl-
edge being accumulated and to make new predictions. This
changed when a series of articles, chapters, and books ap-
peared between 1988 and 1992 (Yost, 2014). The book by
Al Bregman (1990), Auditory Scene Analysis, captured the
essence of these other authors’ attempts at finding an orga-
nizing principle for complex sound processing, and Auditory
Scene Analysis captured the imagination of perceptual scientists
in hearing as well as in perceptual and cognitive psychology.
Sounds from the various sources that make up an audi-
tory scene interact physically and arrive at the ears as a
single sound field representing the physical combination
of the sounds from the various sources. The auditory pe-
riphery uses biomechanical and neural processes to send
a neural code to the brain representing the spectral/tem-
poral features of that sound field. There are no peripheral
mechanisms that process sounds as coming from individual
sources. There is no representation in the neural code flow-
ing to the brain that the scene may be one of a car driving
by as the wind blows the leaves and a child giggles. Yet that
is what we can perceive usually immediately and effortlessly.
The sound is complex and the listener may be hearing some
of the sounds for the first time, yet the auditory images are
often vivid. These auditory images allow the listener to identify the car, the blowing leaves, and the giggling child. The
brain performs auditory scene analysis. Psychoacoustics has
just begun to investigate how the brain does this. It appears
to be a daunting task; it is, like Helmholtz observed, trying
to look down a tube at waves on a beach and determining
what caused the waves. It is likely that the next chapter in
the history of psychoacoustics will be written by present and
future psychoacousticians who help unravel how the brain
analyzes an auditory scene..»