What makes One Music Server Sound Better than Another?


So this week my Mojo Audio DejaVu music server that I have used for the past 2-3 years crapped out. Benjamin at Mojo was more than helpful and the DejaVu is on its way to Mojo Audio where it will make a full recovery.

Thankfully, I still have my Antipodes DX2 Gen 3 (their former flagship) music server so I hooked it up. After wrestling with Roon protocols, transfers, and set-up menus, I was able to get it going so I have music. The DX and my Sonore Sig Rendu SE opt. are both connected to my network so the DX (like the DejaVu), is only being used as a Roon core and the Sig Rendu SE serves as the Roon endpoint for streaming Tidal and Qobuz, with a direct USB connection to my DAC.

The point of this thread is to ask, how come I perceive the the DejaVu server as sounding better than the Antipdes DX? In fairness, the differences I perceive are not great but it seems the DejaVu is fuller sounding, more tonally rich, and bolder. Is this why some here spend $10K+ on a Grimm, Taiko or something else?

If a server is basically a computer, sending digital information to a streamer/endpoint and, assuming that digital information is transmitted asynchronously and reclocked by the DAC’s master clock, and assuming noise is not the issue (i.e., both units are quiet and there is an optical break between the network and both the server and endpoint) then what are the technical reasons one should sound better than the other? It is not that I want to spend $10K+ on a music server with a lifespan of maybe 5 years before becoming obsolete, but I would like to understand what more you are getting for your money. So far, the best I can come up with is lower internal noise as the major factor.

As a side note to the above, when I thought things looked hopeless for getting set up, I scheduled a support session with Antipodes and, although I lucked into the solution before the meeting time, Mark Cole responded ready to help. Setting up the session was super easy and reminded me of the superior level of support I had come to enjoy from Antipodes during the time that the DX was my primary server, including multiple updates and 2 or 3 hardware upgrades, which prolonged the service life of the DX. Good products and good company.

 

mitch2
Post removed 

@mapman 

  • Both servers use a version of Linux, maybe not the same - I wouldn't know
  • In both set-ups, the server (DejaVu or Antipodes DX) is what Roon considers a Music Server running what is called Roon Server in the Sonicorbiter app (essentially, it is serving as the Roon core, only)
  • In both set-ups, the server has only a single direct connection with the network/router, and no connection to the streamer or to the DAC
  • In both set-ups, the Sonore Signature Rendu SE optical is what Roon considers a Network Player (or streamer) and is running what is called Roon Ready in the Sonicorbiter app 
  • The Sonore Signature Rendu SE optical is NOT connected directly to the server but has a single direct connection with the network/router
  • The Sig. Rendu SE opt. is connected with Mojo Audio's Mystique EVO Pro DAC via a direct USB connection currently using Network Acoustic's muon USB cable

 

@mitch2 thanks for that info.

So given all that, my bet is any difference in sound is due mainly to differences in the roon server implementations.

Can’t totally rule out increased jitter with one device attached versus another, but from what you describe this seems to be less likely, especially if one can assume the DAC is jitter resistant.

DId you indicate you also have a Benchmark DAC? YOu could try again with that as a test and see if there is a difference. My understanding is BEnchmark DACs are all very jitter resistant hence their stellar reputation.

Inquiring minds want to know...

 

Try something like the new mega-optimized Roon server device/appliance recently announced and one would expect that to perform to the max for sure especially at that price. I might consider it or something similar running latest and greatest Roon and Roon OS someday if it seems to catch on and especially if performance is measured and confirmed independently. On paper that would appear to be the bomb, but time will tell.

CHeers!

 

@mitch2

I agree with your conclusions. Trying to understand the “why” is elusive. Many manufacturers design improvements then listen and maybe adjust designs before being to market. It’s not that they have a specific sonic that they try to match and/or reach a specific level. Our hearing acuity is much more sophisticated than current science can measure, even if we could measure we don’t know what to measure (iirc John Curl said this).

My own experience is that confirmation bias is a huge challenge for all of us.  A/B comparisons are really hard, and aural memory sucks.  And the potential differences we’re talking about, if they exist at all, are really small.  For example, where I agree there are material differences - DACs - teasing out those differences, reliably, is challenging.  A friend of mine and I did a DAC shoutout with 4 DACs:  dcs Bartok ($10k), Gold Note DS10 ($5k), Mytek Brooklyn ($2k), and an Okto DAC8 ($1k).  We were both surprised at how subtle the differences were.  Predictably, he preferred his dcs, I preferred my DS10.