Copper vs. Silver tonearm wire


The subject of tonearm wire was touched on in a related thread on tonearms. Long standing friend rauliruegas strongly advocates silver. I tried it and switched back to copper. I need to re-wire my HW-40 and because my hands are getting shakey with age, must now delegate the task so I want to get it right. VPI told me today that their upscale wire, Nordost, used to be silver, but they switched back to copper because too many people found the silver to be too bright. That was exactly what my impression was when I last tried silver. Thoughts?

billstevenson

Are we talking about chassis wiring, tonearm wiring, or ICs? In ICs, the geometry is very important. It determines the reactive nature of the IC (capacitance and inductance). That affects frequency response and also characteristic impedance. Same goes for complex speaker cables. Chassis and tonearm wires are usually a single run of whatever conductor, unless you’re using Litz wire. It’s not just a matter of copper v silver.

Personally I have always had Copper, the difference size and number of strands and insulation.

For a friend I installed two Vintage Micro Seiki MA-505S which was/is their silver wire 'upgrade' version.

I'm not sure if it is solid silver or silver coated copper, in any case they sound great to me. (never a bright or thin thought in my or my friend's mind)

I found that inexpensive cables made from copper vs silver are easily differentiated by the brightness of silver and the warmth of copper. But as you get into higher end cables the categories blur. The best, relaxed… non-bright cables I have heard were Nordost Odin 2… like really really highly detailed copper…but all silver. 

If copper was silvery and silver was coppery in appearance, many would reverse their opinions of the respective colorations.

@billstevenson  : Silver  Zavfino is way different than the Audio Note UK silver litz wire .

Any kind of audio wire in any audio system link is system dependent and owner MUSIC/sound priorities.

 

R.