Example of a piece o’ crap, useless review


I’ve harped on how crappy and useless many “professional” reviews are because they lack rigor and omit critical information.  This one is from TAS that is a main offender of pumping out shallow/unsupported reviews, but most of the Euro mags among others are guilty of this too IME.  One key giveaway that a review is crap is that after reading it you still have little/no real understanding of what the piece under review actually sounds like or if it’s something you’d like to consider further.  I mean, if a review can’t accomplish those basic elements what use is it?  This review is so shallow it reads like it could’ve been written by someone who never even listened to the review sample and just made it up outta thin air.  In addition to failing on this broad level, here are some other major problems with the review:

- There is no info regarding any shortcomings of this “budget” turntable — everything is positive.  Sounds like it was perfect, ehem.

- There are no comparisons to another product in the same general price category or anything else.

- The reviewer doesn’t even share what equipment is in his reference system so we can at least infer what he may have based his impressions on.

In short, in addition to this review being so bad/useless for all the reasons stated it actually reads more like advertisement for the product than an actual unbiased review.  I can think of nothing worse to say about a review, and sadly many reviews out there are similarly awful for the same reasons.  Sorry for the rant, but especially as a former reviewer this piece of garbage pushed all my buttons and really ticked me off.  What say you?

https://www.theabsolutesound.com/articles/sota-quasar-turntable-and-pyxi-phonostage/

soix

@soix I do not read them anymore. What I hate most is the silly descriptions of how something sounds, the things I what to know are never talked about in depth and I really do not care what esoteric records the reviewer is using. I think the approach you took is valid and your rational appropriate. 

@dayglow I have an Adcom 545 in my workshop system and it has powered 4 Mirage speakers at ridiculous volumes for 30 years under the most adverse conditions you can subject an amp to short of throwing it into the bathtub. Imagine a guy with hearing protectors on running two big machines making mountains of dust with Hendrix blaring at 110 dB so he can hear it over the ear muffs and machines. It also survived a lightning strike that killed a Krell Preamp, all the computers and phones, the garage door ops and the burglar alarm. People wonder why my wife is crazy. 

@ghdprentice 

Cynical is Skeptical and Skeptical means TEST.

TEST is the one that can define right from wrong.

If I have to derive truth from between lines of such reviews, than I have different angle of observation. To me, under such "angle" Commercial Advertisement + Technical Review = Commercial Advertisement.

 

I liked the reviews HP wrote in the early TAS days. They were always entertaining. I'm not so convinced that the current iteration of that magazine is a worthy successor. 

The irony with audio reviews is that everyone hears differently.  A piece of audio gear that sounds good to one person may not sound good to another. It's a very subjective hobby.  In a perfect world we would be able to listen to audio gear before we decide whether or not to purchase it.  But since that's not always possible we find ourselves relying on audio reviewers who may like a particular sound that does not appeal to everyone.

IMHO,  this is why so many audio enthusiasts spend so much time and money chasing the right system.  

The bottom line is that your own ears should always be the deciding factor in an audio purchase.  As such,  whenever possible you should listen to equipment before you decide to purchase it. 👍

 

@soix - Really, Part Time Audiophile as an example of good reviews? Their stated policy is to NOT publish a bad review. The puff pieces I’ve read on their site goes far beyond hagiography and would make even the most shameless fan boys blush. No measurements at all. IMHO, that site is the biggest joke of all reviewers.

 

@ghdprentice - I respectfully disagree that it would be in no ones best interest to publish a bad review. The purpose of using measurements should be to confirm the published specifications are accurate; what we are witnessing now in the absence of verifiable measurements are wild claims by mfrs that defy logic and known principles of physics and electronics without any accountability for stretching the truth,or in some cases, just making things up out of whole cloth. The turntable industry is especially rife with this problem exactly for that reason: no independent measurements. The major magazines apparently have testing capabilities as they do very analytical testing of amps and speakers but for some reason, they take what ever specs the turntable mfrs publish as gospel (they do add a disclaimer such as "according to the mfr, blah blah blah" which they assume gets them off the hook). I think what is needed is to resurrect the Consumer Reports model where the reviewers do a complete tear down of the product to comment on its construction, capabilities and deficiencies including detailed measurements of its performance as well as operational and listening tests.

 

I doubt that will happen. In the mean time, a major "tell" for me is how a mfr responds to questions about their claims; if they are transparent and engaging, especially if they provide actual measurements, I have more confidence in their specs. If they deflect or hide behind "we only care about how it sounds" or "it’s secret sauce and we can’t tell you" then one has reason to doubt what they say.

 

Another way to look at it is this: If a mfr publishes a spec and it is reasonable or close to the median for that type of product, it shouldn’t draw suspicion and shouldn’t be difficult to prove if challenged. But when a spec is orders of magnitude better than anything else in its class, it begs for an explanation. A mfr should WELCOME any challenge as a chance to prove it and draw further attention to their ground breaking product. Making outlandish claims then running away from anyone challenging those claims is sure sign that something isn’t right.