@patrickdowns Not to toot my own horn, but I have been doing this since 1958.
@mikelavigne I look at it from a different perspective. I want to hear exactly what is in the recording. I do not want to hear any editorialization by the room. As far as reproduction is concerned, everything is important. Detail, dynamics, bass, and imaging. Bass and imaging are definitely the hardest to get right. Some systems are even hyper detailed, audiophiles tend to love this. If there is a question of balance it is with volume. Every recording has a correct volume, a volume at which it sounds best. This is because our ear's frequency response changes with volume. Funkadelic recordings sound like crap if you listen to them at casual volumes, but turn them up on a system with great bass and magic occurs. Listen to a string quartet at that volume and the violins will cut your throat. Joni Mitchell albums generally sound best at intermediate volumes. Much of this has to do with the volume the music was mixed at. Early Zappa records sounded compressed and muffled with poor bass. They were mixed at crazy high volumes on less than stellar equipment. You really had to crank them to get the most out of them. The re-releases were mixed on modern equipment at moderate levels and the difference is a major improvement.
I might also add that like my room, your was expressly designed for music reproduction making it much easier to achieve decent control. I only had to add absorption directly behind the speakers.