@erik_squires thanks for initiating this thread, as an amateur speaker builder I appreciate your post and thoughts. @amir_asr thanks for posting here with your responses and input - I have spent a fair bit of time on your site over the last few years and I am a member. I have been reading and posting on Audiogon forum for getting close to twenty years, and have been into audio reproduction since I could climb on a chair and operate my fathers Garrard/Fisher hifi stashed up high in the hall closet. @ricevs, @mrdecibel and @pickindoug’s comments resonate for me and I appreciate your perspectives.
The reason for my increase in visits to ASR has to do with recent Internet searches on specific gear of interest taking me to the site. Repeatedly and consistently. So ASR is definitely influencing this hobby in the Internet era, and as with who lives in the biggest houses and drives the newest cars in my city, it’s helping tip the balance of power and influence in this hobby for the interested public and new generations of audiophiles from artists, musicians, designers and pretty much anyone with good listening skills to… engineers and computer algorithms. This makes me sad. If you were to spend anytime on ASR, you would gather that ears need not apply, their days and role in the hifi buying decision process are… over. No, seriously, if it can’t be measured by this or that analyzer, it can’t have value. Period. Now Amir may not say or think that, but the bulk of the discussion on his site adheres pretty closely to this line.
Amir has gently poked fun at one of my posts on ASR regarding some character of sound of Schiit Mani 2 phono preamp, probably something about soundstage… while others have been extraordinarily sarcastic and blatantly dismissive of any subjective comment I might make comparing the sound attributes of say, one DAC compared to another when they both measure “perfectly”.
I started my hifi habit by pouring over and being obsessed with spec sheets, and I have always measured the in-room performance of speakers I have bought or built, or when trying to integrate subs into two channel systems. I still look at measurements in reviews if available to see if a piece of gear follows sound design principles. BUT, as my understanding of how everything does matter, including the room, gear matching, vibration control and cabling, I have become really careful at testing changes to my system, retaining changes that make a difference, and rejecting those that don’t.
I have found that different cables can sound different in my systems, with some cables making things better, some cables making things worse, and some having no effect. I assemble power cables from different off the self components, and some of them sound remarkably different from the others. If someone cannot not hear the difference, they are in the wrong hobby.
And for me, speaker cables can affect how I perceive soundstage in my room. Different DACs also change how I perceive soundstage in my system. Sharing these subjective “findings” on ASR or other “science-based” Internet forums is met with considerable indignation, and if I persist I am accused of sealioning or worse. When I note that I have done double blind tests with digital cables that showed deeply overlapping results on the qualities of the sound produced with sighted tests they are dismissed as “poorly designed”.
Some of the strongest critics are those with careers in the professional sound recording or production field who are experienced and knowledgeable, and therefore hard to dismiss. They are quite comfortable in their certainties that all modern DACs, amplifiers and cables sound the same unless they are “badly broken”, and they will cite numerous double blind tests that “prove” they are right. Pointing out that those results are not universal brings intense criticism of the individuals responsible or involved in tests that support observed differences in, say cables. It comes off as a rather passionate defense of the castle walls, and makes me wonder how good our recorded music could sound if greater care was placed on how it is recorded and with what equipment?
I have decided the only way to challenge this freight train of thought is to mount some well designed listening tests that would meet the rigor suggested by Amir and others. One of the problems I see with previous group tests of gear and cables is that the subjects are not necessarily familiar with the room or the equipment, and therefore don’t have a solid baseline to judge subtle differences or changes. If multiple subjects are listening in the same room, not all of them can be located in the sweet spot, and will therefore not experience soundstage reproduction in the same way. These are logistical challenges that must be overcome to run an effective ABX/double blind test. I will not have time to take on such a task until I retire, but I am certain it can be done.
In summary, I do think measurements are critically important and a great place to start your audio reproduction journey. To that end, sites like ASR provide a valuable service. I do also think there are elements of this hobby and equipment design that are both not fully quantified or measurable, yet, and where art and subjective listening add real value. My concern is that absolutist worship of measurement over listening will lead many to miss out on some of the more pleasurable elements of fun, enjoyment, and discovery this hobby has to offer. I am definitely for less arguing and more listening.
kn