Imagine the notes in a melody as a set of points in a space and imagine you could see them not as they appear linearly but as they are together as one form or meaning or image...
These theories hint at why I find the later music of Deuter to be so attractive. He has what was once used to describe the writing of Ernest Hemingway - " skillful simplicity." The better my sound system has become the more can I appreciate what he does. Outwardly, his work might be derogatorily labelled "new age," but I prefer to think of it as a category of its own. Its effect on me is intensely physiological and entrancing, but that did not start taking effect until my sound system could rise to the occasion.
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