@erik_squires, I think my point is slightly different. When one is ripping from a vinyl album, I would think that the analog signal from the cartridge would be captured and converted "lossless" to FLAC. That should mean that the FLAC so captured, when played should have the exact sound as if the signal was played from the turntable. Therefore, if you are playing vinyl because of its "analog" sound, shouldn't that analog sound be captured bit for bit on a FLAC and then sound "analog?" I guess that the mere act of converting an analog signal to digital and then back to analog through a DAC might possibly change the sound so that the FLAC is not "identical" to what is coming out of the cartridge or phono preamp, but . . .
Why do Wav and Flac Files Sound Different?
This article is from 2016, so outfits like JRiver may have developed workarounds for the metadata/sound quality issues sussed out below. Inquiring minds want to know.
Why Do WAV And FLAC Files Sound Different?
"Based on these results, we attempted to pinpoint which section of the metadata might be responsible. Since the cover art file associated with the metadata is the largest contributor to the metadata header size, we began by examining the effect of deleting cover art prior to the WAV-to-FLAC-to-WAV conversion protocol. This proved fortuitous, as our first suspicion proved correct."
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@moto_man, interesting question. I did some analog recording from vinyl to a CD using a Pioneer PDR 04. The original vinyl recording does sound different compared to the CD recording ('better', to my ears). I could imagine that some 'parts' of the overall sound played by a TT including all the peripheral equipment used (including the pre amp and amp) is not transferred to the CD. This experience is supporting your guessing, it seems. |
“I know that this revelation of Mobile Fidelity cutting from transfers made to digital is sort-of anathema to some of our purest fans, and I understand that strictly from what you might read on a piece of paper. But the truth is that us cutting from digital transfers that we ourselves made is not an example of us losing our way, it’s actually an example of us adhering to it adhering to the purest aesthetic and perfecting things beyond anything in the past and the past goes back now 45 years…. Preserving the tape.”
— Rob LoVerde, Mastering Engineer, Mobile Fidelity Sound Labs |
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