The Horror


After getting  back home from “The Show” in Costa Mesa, California this past weekend, I walked over to my stereo system and turned it on. And silently wept. I had held out a feint hope that my cross-over modified 1.7i Maggies and mighty Parasound A21+, fed from a Prima Luna 300 tube preamplifier could somehow manage a slight shimmer of resemblance to the robust setups I witnessed at the SHOW. Not—- on— your —-life. Not even close. I slumped into my over-stuffed couch and stared long and hard at the thing I created: an anemic concoction of false hopes and wishful thinking. The horror, the truth: entry into serious audiophile listening begins with purchase of speakers that cost the price of the car I had to finance for 4 years, closely followed with the added expense of beefy sophisticated electronics and wiring, not a gaggle of cheap wanna-be plastic and tweeks. I so wanted to belong, but that’s turned out to be just a fever dream I’ve got to wake up from. Maybe one day, if ever I have the nerve to rob a bank, find Jimmy Hoffa, or survive a head-on collision from a sleepy Amazon driver, I might make it. Maybe. Feel free to play the violin with two fingers.

128x128audiodidact

@roxy54 

You know, Roxy, I think you’re right,  the non-audiophiles in my life were always astounded when they heard my system. That helped a lot to give me succor and the  illusion that all was well.  That, and the sweat work and money I put into it, of course.  I was proud of my rig.  But I was living in my own bubble, and though I did audition the Maggies, mostly everything else I bought without demo, based on reviews, and reputation, certainly brand.  Not what I’m recommending  going forward.  As many here have stated many times, it’s different in your room. I guess, what I’m realizing is I’m getting a bit more experienced now, more knowledge, as someone here noted.  But it bites to learn the hard way.

@erik_squires 

Well, Eric, I certainly don’t know how else to measure  the quality of sound except to hear whats in front of me.  I sat down to listen to the speakers in the Gryphon room, the Vandersteen and the Boenicke rooms.  I did not know the price, I just listened.  Then I asked.  Then I knew.  They all were the sound I would call way better than mine.  Now, they all did not have perfect setups and rooms.  I thought the Gryphons needed more toe-in, and that the room was way too small.  The Vandys were spread far too apart for my liking and their highs were a bit biting.  The Boes were, well, perfect.  But I get it.  I just want expensive toys, baby can’t have them, Wah!!!!.  Right?  Or could it be I just want the best sound.  And that simply is  out of my reach.  

@audiodidact here is good part: you can get sound that you love (a lot more) by trying different speakers and amps and preamps and sources in your current budget. Members here will lend you gear and you can order it to try out and then buy it used. Of course you know it, you have been doing this for long.

I have bought a lot of cheap stuff on shopgoodwiill, had generous loaners or gifts from members here, and made amazing improvements on a small budget.

I go to shows mainly to hear what is supposed to be the best hifi sound. I always find a couple setups that I determine sound best to me. Yes Fritz and Vandersteen seem to always rank high.

Then I go home to assess what I have versus what I heard. I do a lot of homework and try to make well informed decisions. Experience, reviews, value, specs and measurements all come into play to help make a good buying decision.

Nice thing is I have not felt need to make a change as a result of show sound for several years.

Cost is not the driving factor. I get that sound at home for much less cost than most hi end show systems by doing the homework and learning along the way.

After all, it’s a system and systems must be integrated properly in order to perform best. The room is probably the most important part of the system to get a handle on because that might be tweaked but can’t be changed. That determines your speaker options and you go from there to get the max out of the speakers.  

My goal recently has been to retain that sound while downsizing. I do a lot of homework to try and identify the technical innovations that might help and learn a lot along the way. The latest and greatest Class D amp technology has perhaps Been the biggest game changer, followed closely by wise application of DSP for room correction and other sound tweaks as needed.

Just my few cents….

suggesting KEFs is like telling someone to go to Cabo, because... well, you just came back from Baja? Not very profound in my opinion, with the understanding of a 1000 incredible speaker choices