Vibration Control


Why do solid state audio electronics with no moving parts need or benefit from vibration control? 
 

It makes perfect sense that turntables, CD transports, R2R tape decks, loudspeakers & tubed electronics (w/ potentially micro phonic tubes) might all benefit from various methods of vibration control or mitigation but I don’t see why anything else would. Any thoughts??

jonwolfpell

What's the harm in trying something that has a return policy? Are you afraid you might hear differences but being unable to measure it, you'll have a nervous breakdown?

If this truly can happen, think about the effects it might have on the electronics in a high speed fighter jet or space rocket. 

The folk who design high speed fighter jets and space rockets take into account the effects of vibration in every way possible to ensure reliability. Everything is overbuilt to ensure proper functioning, but then, they aren't listening to their stereos while flying, are they? Take any piece of SS gear and try to play it on a space shuttle or F-16 fighter jet and get back to me on that.

All the best,
Nonoise

Maybe this is useful, from an AI.

 

Vibration reduction and control in high-end audio systems can improve sound quality by minimizing the negative effects of unwanted vibrations on the performance of audio components. Vibration can cause various issues, such as audible noise, distortion, and reduced resolution, which can degrade the overall listening experience. By implementing vibration reduction measures, the system can deliver clearer, more accurate, and more detailed sound. Here are some mechanisms by which vibration reduction improves sound quality:

1. Reducing audible noise: Vibrations can create noise that is picked up by the audio components, leading to a low-frequency hum or rattle. By controlling vibrations, the system reduces the introduction of these unwanted sounds, resulting in a cleaner and more enjoyable audio signal.
2. Minimizing distortion: Vibrations can cause microphonic effects, where the mechanical vibrations are converted into electrical signals, leading to added distortion in the audio output. By reducing vibrations, the system lowers the occurrence of microphonic distortion, allowing for a more precise and accurate sound reproduction.
3. Enhancing resolution and detail: Vibrations can blur the fine details in an audio signal, making it harder to discern subtle nuances in the music. By controlling vibrations, the system preserves the resolution and detail of the audio signal, enabling a more engaging and immersive listening experience.
4. Improving imaging and soundstage: Vibrations can affect the stability of audio components, leading to a less focused and precise soundstage. By reducing vibrations, the system maintains the positioning and separation of audio elements, creating a more coherent and realistic soundstage.
5. Preserving the performance of delicate components: High-end audio systems often include delicate components, such as turntable cartridges or ribbon tweeters, that are particularly susceptible to the negative effects of vibrations. By implementing vibration control measures, the system ensures that these sensitive components perform optimally, delivering the best possible sound quality.

Examples of vibration reduction methods in high-end audio systems include:

* Turntable isolation: Using isolation platforms, feet, or pucks to reduce the transfer of vibrations from the turntable to the surroundings, ensuring a stable and quiet platform for vinyl playback.
* Component supports and racks: Specialized audio furniture designed to minimize the transfer of vibrations between components and the supporting surfaces, often featuring materials like isolation spikes, cones, or pucks.
* Vibration damping materials: Using constrained layer damping or other vibration-absorbing materials within audio components or enclosures to reduce the resonance and vibration within the components themselves.
* Suspension systems: Implementing suspension systems for speakers, such as spike footers, to decouple the speaker from the floor, reducing the transfer of vibrations from the speaker to the listening environment.
* Air-bearing or magnetic-bearing turntables: Utilizing air-bearing or magnetic-bearing technology in turntables to minimize physical contact and thus reduce the impact of vibrations on the turntable’s performance.

In summary, vibration reduction and control in high-end audio systems improve sound quality by reducing audible noise, minimizing distortion, enhancing resolution and detail, improving imaging and soundstage, and preserving the performance of delicate components. Various methods, such as isolation, damping materials, and suspension systems, can be employed to achieve these benefits.

Something a fellow member Krissy sent me this morning and something I have been saying for years. Where there is motion there is resonant energy..Isolation can only exist in the absence of matter. TomD Here's Krissy. https://heartsoundaudioofficial.blogspot.com/2024/06/visible-electron-transfer-in-solids.html?m=1

Basic electrical theory. A moving magnetic field will induce a current in a conductor. or a moving conductor in a magnetic field will induce a current in the conductor. So if you have vibrations etc. you have a moving conductor or magnetic field. There is lots of magnetic fields (many moving due to AC power) inside audio equipment. so if we vibrate the whole thing ....you get the picture? 

The sound coming out of your loudspeaker is probably the largest source of vibration in your listening room.  So why have all those sensitive electronics in the same room as the vibration source?  And I know that there are some exceptions, but nearly all loudspeakers have their crossover electronics within their enclosures.  There are efforts in some designs for vibration control, but isn't the interior of a loudspeaker cabinet a highly vibrant environment?

The consensus of this thread is that vibration is a horrible thing that must be combated, but a look at the system pages indicates that it is not really addressed.

In my own system I use Solid Steel and Quadrispire racks with some additional rubber and cork mats under the electronics. The electronics are in the same room as the loudspeakers.  The transducers get a more elaborate setup.  Nothing really expensive, but I figure it can't hurt.