Step Up Transformers….Are they Worth the Trouble?


Some of you may aware of my Garrard 301 project, it’s now very close to completion. The plinth finally shipped from Hungry after 3 months of long wait.

Given my last experience with Hana Umami Red, I would like to take things to the next level. Which brings me to mating low output cart with a SUT. Every review I’ve read so far suggests when the SUT-MC match is right, the end result is heavenly. The bass is right, the midrange is clear, and most importantly, the highs are relaxed and extended—not rolled off.

I am not saying you can’t get great sound without a SUT but it appears with a properly matched SUT, sound can be quite magical.

Thought this would be the right time to get input from experienced users here since I am still contemplating my cartridge and outboard phonostage options.

My preference would be to go with a tube phono…I kinda miss tinkering with tubes :-)

My system, Garrard 301 (fully refurbished), Reed 3P tonearm, Accuphase E-650 with built-in AD50 analog board ➡️ Tannoy Canterbury’s.

Cart and phono under consideration through my dealer,

Fuuga - Output : 0.35 mVrms | Impedance : 2.5 Ω (1kHz)

Phonostage - Tron Convergence and Konus Audio Phono Series 1000

The cart - MC combination, I am lusting after is Etsuro Urushi Bordeaux MC with their Etsuro Transformer.
https://www.etsurojapan.com/product/bordeaux

The other transformer is EMIA, cooper or silver version.

Your input is appreciated!

128x128lalitk

(Herron being almost a tad aggressive in upper mids by comparison).

@mulveling I found this to be true of the most recent Herron linestage, as well, which I bought and then returned. My main preamp is a VAC.

@mulveling, thanks for your information. I just stumbled on your review of the Quadratic MC-1 SUT. 

As I've stated before I do love the way my rig sounds. However I have a lot of hum and at times notice some RF since adding a Triangle Art Maestro TT with the Horus 12" tone arm. I've been unimpressed with the service from its manufacturer. 

I'm wondering if adding the Quadratic MC-1 to the mix with my Herron VTPH-2A and using the MM taps would help? I use authentic Cardas Clear interconnects from the VTPH to the balanced line stage. The tonearm's cable is fixed and can't be changed.

I'm running a NAT Audio Symmetrical Balanced line stage, NAT Audio Magma mono blocks and Magico A3 speakers.

@lalitk 

had a great 3 hour listening session with a good friend/neighbor who knows my system well from jazz/scotch nights over the last 10+ years.  His first experience with my new SUT:  after 10 seconds he turned to me and said “wow”.  Our analysis:  everything just seems more palpable, physical.  Much bigger difference moving from old to new SUT than when I went from Hana EH (directly into phono pre) to Koetsu and old SUT.  

@mdalton 

Thanks for sharing…that’s saying a lot about HM-7 cause Hana EH and Koetsu are two very different carts and in opposite extremes in terms of $$$ and performance. I guess your previous SUT was holding back Koetsu.

Strange things happen when we keep an open mind :-) 

 

@lalitk 

yes, I was certain the old SUT was my weak link, but didn’t fully appreciate how much it was holding the Koetsu back.