I'll spare you the hardware mumbo jumbo that you're not looking for.
Here is an excellent recording that's very live sounding and has lots of dynamic range.
Thelma Houston & Pressure Cooker: "I've got the music in me" Direct to disk LP
Recommendations for a jazz record which demonstrates vinyl superiority over digital
I have not bought a vinyl record since CDs came out, but have been exposed to numerous claims that vinyl is better. I suspect jazz may be best placed to deliver on these claims, so I am looking for your recommendations.
I must confess that I do not like trad jazz much. Also I was about to fork out A$145 for Miles Davis "Kind of Blue" but bought the CD for A$12 to see what the music was like. I have kept the change!
I love the jazz in the movie Babylon, which features local Oz girl Margo Robbie (the film, not the jazz).
So what should I buy?
+1 @ghdprentice Eloquent and accurate as always. I would only add that I find some very early digital masters suffer compared to vinyl. To generalize, I find these are often albums where the original analog master was not well engineered and the problems exacerbated by early digital mastering techniques. As you do, I find streaming recent “digital remasters” equivalent, if not better IMHO than vinyl. Both vinyl and digital show differences in SQ between remasters, reflecting the recording engineers intent during remastering. Streaming gives you the ability to explore all of the remasters published on the service and choose the one you most prefer with no monetary investment other than the service charge as your point out. Most times these differences are subtle, but sometimes not. Sometimes I even find the original low-resolution digital remaster better than the HD remaster. It depends upon the recording engineer’s intent and your personal preference.
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As mentioned above, the direct to disc recordings by Sheffield Records, like Harry James’ “king James Version” M&K direct to disc—Bill Berry Allstars “For Duke” (covers of Duke Ellington); Earl Hines—“Fatha” Clark Terry “Alternate Blues” Rahib Abou Kahlil—“Blue Camel” Three Blind Mice (great Japanese label)—Yamamoto Trio “Midnight Sugar” Sonny Rollins “Saxophone Colossus” (fantastic sounding mono recording); Rollins “Way Out West” (fantastic stereo recoding). East Winds Records (another great Japanese label)—Great American Jazz Trio “Direct from LA”
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Billions of Individuals listen to Music, of which the sound is either produced as a Live Sound through either Acoustic Instruments producing Sound, Instruments reliant on Electronics to produce Sound, or a Music heard as a sound as a result of a Musical Recording being replayed through a system that is using Electronics to produce the heard sound. The Medium or the Source Method to hear produced sound, does not matter anymore, simply because the access to music is now a total convenience, anybody can experience a sound being produced, which will be classed as music almost anywhere on the planet, where ever communication can be created, it is most likely music is able to be heard. The convenience of being able to easily experience the sound from produced music has created a exponential increase to for the amount of individuals who enjoy listening to music. The average individual who listens to music, is listening to music for more hours during a week, than the average hours being listened to music by an individual who classes themselves as an Enthusiast of Music being replayed on purpose produced Audio Equipment or the other much Broader used Term for such an Individual being an Audiophile. In the present world, there are currently a Vast Amount of Individuals who are part of this Movement, who are carrying with them a Broad Reasoning for having readily available access to recorded music, who collectively could be referred to as the: "Nouveau Audio Passionne" It is also not really worthwhile dismissing them as being non-Audiophile. An investigation of the Market Place will speedily show, there is options to make substantial investments into Electronic Devices that will enable the highest levels of replays using the replay ancillaries available that support the needs of this new Movement of Listeners of recorded music. Take Heed - Forums are Dead in the Water, if this new Community of Listeners is not welcomed with a very noticeable Greeting. Analogue - Digital - Mater Tape - Vinyl LP - CD are just 'Trivea' in todays world and is of no importance. The New Movement keeping the Music Industry in very fine fettle. Are as an assessment made, from experiences had of being in discussion with known individuals who participate. Are Individuals who when being exposed to a squabble over such concerns of a Source Type, are when encountering such a presentation looking at such presentations as being a waste of effort and the content as being 'just noise', that is best avoided. Such a discussion has very little to do with their requirements to experience recorded music being replayed. More Importantly their is not one individual who's only access to recorded music, is through listening to recorded music, that has a control over the quality of the recordings being used. One pays their monies and gets what is given as the product from the chosen Brand. The same stands for Streamed Data, one chooses their supplier and service and what arrives to be listened to is what arrives. For the "Nouveau Audio Passionne" , what really matters is how successful the portable audio system performs, whilst on a Journey or at a point of Stop Off. In a City have a look at the Average Pedestrian, pedestrian Jogger, or Cyclist. There is the likely hood that at least 1 in 20 being passed by, has invested more in their Portable Audio System than a more regular Audiophile is willing to spend on a Audio Device or even an entire Audio System. The following is a Modern Description of how recorded Music is being listened to:
With 86% of people tuning in while working, 28% using it to boost their mood, and the average American grooving to over 32 hours of music weekly, its clear that music is not just background noise but a powerful force that shapes our lives. From chilling out to pumping up the jam, music streaming reigning supreme in 2019 to a global market worth billions in 2020, the numbers don't lie – music is the ultimate multitasker, soothing stress, sparking nostalgia, and even boosting productivity and memory. So grab your headphones and lets dive into the symphony of statistics that prove music isn't just music – its magic! Hours of Music Listened by Americans
InterpretationIn a world where music is the ultimate multitasking companion, it seems the average American is putting in more listening hours than the average person - perhaps they're just better at squeezing in some tunes between Zoom calls and Netflix binges. Whether they're grooving to the latest hits or finding solace in the classics, one thing's for sure: music remains a constant presence in our lives, providing the soundtrack to our daily hustle and bustle. So, next time you catch someone with headphones on, remember - they might be striving for that coveted top spot in the music listening marathon. Music Consumption Trends: Streaming
InterpretationIn a world where the melody rules, it's no surprise that music streaming has become the reigning monarch of the music realm, claiming a staggering 85% of all music consumption in 2019. With the global music streaming market hitting a harmonious high note at $20.9 billion in 2020, it's clear that the symphony of digital tunes struck a chord with listeners worldwide. As 83% of teenagers continue to tune in daily, it seems the soundtrack of our lives is set to play on repeat for the foreseeable future. Music Listening Habits at Work
InterpretationIn a world where the sound of productivity is often drowned out by the cacophony of distractions, music emerges as the unsung hero, wielding its harmonious powers to keep minds in tune and feet in rhythm. With almost nine in ten individuals tapping into the melodic muse while working, it seems that the beat goes on for boosted focus and motivation. Whether swaying to the tunes as they sprint towards their fitness goals or enveloping themselves in a symphony to drown out the noisy chaos, the majority find solace and strength in their playlists. So, next time you're facing a daunting task or seeking a creative spark, remember the statistics don't lie – it may just be time to turn up the volume and let the music drive your productivity to new heights. Music for Personal Improvement
InterpretationIn a world filled with statistics and studies, it seems that the power of music is akin to a magical elixir for the mind and soul. From boosting energy levels to enhancing creativity, improving memory, and even fostering connections with others, the notes and melodies that fill our ears hold the key to a multitude of benefits. So whether you're looking to feel more energized, uplifted, connected, or simply in need of a confidence boost, it appears that pressing play on your favorite tunes may just be the remedy you've been searching for. After all, who needs a potion when you've got a playlist? Music for Relaxation and Coping
InterpretationIn a world where stress levels seem to be hitting all the high notes, it's no wonder music has become the ultimate maestro of mood modulation. Whether you're looking to orchestrate a serene atmosphere, conduct a symphony of memories, or simply tune out the cacophony of reality, music offers a harmonious escape for the soul. With its rhythm and melody weaving through our emotions like a finely tuned melody, it's no surprise that the therapeutic effects of music reach a crescendo, reducing stress, anxiety, and even physical pain. So, let the music play on, conducting a sonata of solace and serenity in the cacophony of modern life.
The Link will show the present projection for the impaction on the Market Place for Streamed Recorded Music, being solely influenced by the New Movement being the: "Nouveau Audio Passionne" https://www.grandviewresearch.com/industry-analysis/music-streaming-market
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Again, I agree with the point that you could construct a system that would make one or the other medium sound best. My streaming set up is pretty good, my vinyl set up is better. I enjoy both, and I am grateful for that, as I have access to way more good-sounding music than I could have dreamed of when I was flipping through the stacks as a younger person. Recently, I heard Ambrose Akinmusire's "Owl Song" on Qobuz. I loved the music (truly just filled me up), and thought it sounded great. Because I know my system, I thought it would be likely that it would sound even better on vinyl, so I picked it up. To my ears, in my room, on my equipment, it really does sound better on vinyl. But after decades of a vinyl-first mindset, and using a greater share of my budget on vinyl gear than on digital gear, I think that is to be expected. Like i said, I fell in love hearing the album streaming. I listen to it now on vinyl. That is often my work flow - some experiences I just leave in the digital realm, but sometimes I think that it would sound even better in my turntable. We are living in good times, music-wise... |