Here is an estimable artist who may not be known by many jazz fans, the guitarist Jack Wilkins. Check out his deeply felt rendering of John Coltrane’s classic, Naima:
https://www.youtube.com/watch?v=NyAk4pCvZAo&pp=ygUSamFjayB3aWxraW5zIG5haW1h
Jazz for aficionados
Here is an estimable artist who may not be known by many jazz fans, the guitarist Jack Wilkins. Check out his deeply felt rendering of John Coltrane’s classic, Naima: https://www.youtube.com/watch?v=NyAk4pCvZAo&pp=ygUSamFjayB3aWxraW5zIG5haW1h |
@scalar9 Wow...This is nice. And that backing band, umph. I love the staid tempo. |
Thanks i will investigate his output.... Seems interesting to me...
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Re: Shorter vs. Coleman, as a listener, for me, it comes down to the mood I’m in, on any given day or evening. I don’t want to listen to Shorter’s Blue Notes or the 2nd Great 5tet all the time, even though these recordings are among my all time favorites. If I couldn’t listen to Coleman, Jordan, Gordon, Lovano, Potter, or any other tenor player without thinking "Well, Miles would rather play with Wayne than this guy", that would not be a good thing. I want to be able to be fully present with whatever I’m listening to in the moment without interference from the left brain’s fondness for analysis, comparison and judgement. As much as I respect giants like Miles, Tony, Herbie and Ron, I don’t want to share my listening chair with them!
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I couldn’t agree more with your sentiment, Stuartk. I don’t think it has been suggested otherwise. Having said that, for me, the “analysis” or learning of things like the reasons for why great players like Miles make the personnel (and others) choices they make enhances the listening. Can’t imagine Porter in the Second Great Quintet, ‘though 😊 |