Please explain mono

Back to Mono!

@wolfie62 

WOW…400 mono records! 

Your dedication to achieving the best possible mono playback is quite remarkable and awe-inspiring. I am still baby-stepping my way to optimizing monaural Vinyl playback. Hoping to wrap up my setup with a secondary GrooveMaster 4 tonearm and Miyajima Zero. 

Unless the quality of the stereo version is awful, I'll generally go with those and not the mono. Among those 'awful' stereo versions are those early Beatles records where all the vocals are in one channel. Those I go with mono every time. 

At this point I’d say half my collection of 8,000ish is mono recordings. 78’s, microgrooves, and some lps and 45s. If it was recorded in mono, it should be played back in mono. With repeating others about setup and cartridges (I use Miyajima carts and SUT for all mono playback), what hasn’t been mentioned is the room setup. I have 1 room setup for stereo and a separate for mono. In the mono room I have 8’ between the rear wall and the speaker and use open baffles. The result- the deepest soundstage you can imagine. While stereo imagery is impressive, it feels fake compared to mono imagery. In the mono room you at all about front to back. My point being, mono doesn’t really impress me in the stereo room - so if you have a setup already optimized for stereo, the setup may be the issue. 

The "Back to Mono" post by @russ69 is a reference to Phil Spector, who in the early-70’s had a batch of buttons made with that phrase emblazoned on them. There are pictures of Phil with John Lennon during the recordings of John’s Rock ’n’ Roll album in which Phil is wearing one.

The singer/songwriter/organist leader of the Garage Band known as The Lyres---whose given name is Jeff Conolly---went by the name Monoman. I have a bunch of their albums (on LP and CD), and saw them live in the late-80’s at Club Lingerie on Sunset Blvd. One of the most exciting live bands I’ve ever seen. The sound system at the venue was a mono one.