To Fritz, Quicksilver, and all the exceptional makers trying to get the word out


It's been a while since I've posted. When you're in the sandwich generation, life intervenes. I've not had much chance to keep up with the conversations here, but I've managed some changes in my system, including a new set of speakers from a local audio fixer and DIY genius. These new speakers are wide baffle design with JBL woofers (15") and Beyma AMT tweeters. 97db sensitivity. I've put a picture on my system page.

But I've been thinking about Fritz and Quicksilver for an odd reason. There's an interesting guy on YouTube, Andy Edwards. He's a drummer and teacher with interestingly provocative analyses of rock, jazz, and music. Recently in a video entitled "Ten things non-musicians get wrong about music," he was pointing out how the music industry tends to advance very select fractions of talented people. There is a tremendous funneling effect that excludes a huge percentage of talented people. They are better than many of the most popular musicians, but they cannot get a hearing. They have to make a living in other ways -- but they are extraordinarily talented, nonetheless. This tends to skew the public perception of what a good musician is because people hear what they hear and then celebrate it because it's what they know. Subjective bias leads to (false) objective estimations of how good musicians can be. (Take one case in point: Kazuhito Yamashita. Look him up. Staggering genius on the guitar who didn't become a worldwide phenomenon.) 

This made me think about two of the pieces in my system -- Fritz speakers and Quicksilver amps. They are complete unknowns to 99% of the buying public, and if you look around on YouTube or other media, it's pretty hard to find much promotion. It's all word of mouth, and even if they did advertise, who would hear them? With Klipsch and Focal and Yamaha et al. taking up most of the available attention economy, how could their message get through? 

I am so grateful to the members of this forum for helping guide me to Fritz and Quicksilver. They are the most listenable, comfortable, and high-quality gear I've owned. I've heard amazing things about other brands -- such as Audio Note -- but I'm paying for college, soon for two kids, and that just ain't happening. These are not the best things money can buy, but as value propositions, you really cannot do better, IMHO.

For those whose ears are perking up about Fritz for the first time, I have done two reviews of what I think is his better speaker, the Carbon 7 SE MKII. 

Written -- https://forum.audiogon.com/discussions/review-fritz-heiler-s-carbon-7-se-mk-2-bookshelf-speakers?

Video -- https://www.youtube.com/watch?v=LpI6eAvc4_M

I've tried them with everything: they're tube friendly (Quicksilver, 60w); they're class D friendly (DIY Hypex-based amp, 275W); they're class A friendly (Pass XA-25, about 25-80w); they're class AB friendly (Adcom, Akitika, 60w). 

I like them because if I focus in on them, they perform but if I just want them on in the background, they're lovely that way, too. 

Hope everyone has a good 2025. 

128x128hilde45

@hilde45 Hats off to Fritz and his wonderful speakers.  I picked up a used pair of 2017 Rev 5 SE to use as mains in my 2nd Home Theatre System. They exceeded my expectations so when I ungraded my amp in my main system I thought let’s add my outgoing 2017 Raven Blackhawk SE integrated amp to my HT system along with a used Gustard R26 DAC/streamer.  Along with a few tweaks this combo delivers the most surprising results that it dumbfounds me. So simple yet there are times I enjoy this set up more than my main system.  The Fritz speakers just disappear and fill the 25x18 untreated room with such depth and clarity…. I  guess miracles do happen.   Cheers to your miracles happening in 2025!

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Welcome back, I too tend to take 'vacations' from the forums from time to time.

 

Coincidentally, I was just thinking about how I've migrated towards boutique brands over the years. I too prefer to support these smaller operations, my hard earned money going directly to engineer/designers vs investor class. Value is an added benefit, profits don't have to be generated to support this surplus group of people. I've owned some of the corporate/big name equipment in the past, not going to say there wasn't good value in some, but others not so much. My estimation of value includes build quality, parts quality, sound quality.

 

Boutique audio entities also afford me the opportunity to assemble an extremely unique system aligned exactly with my preferences. This even to the point of changing out individual parts within components, capacitors, resistors, inductors, wire, drivers, etc.

@hilde45 ...but if I just want them on in the background, they're lovely that way, too. 

 

It's a great point, leaving them on in the background, being able to walk around the house listening while doing various things. Just leaving it on and not having to sit in front of a system is desirable too.   I miss the old days systems where we just flip it on and leave it on not worrying about over-heated Class A amps or high $ tubes burning down. Its the OCD side or frugal side some of us have, I'll admit it :) 

I'm revisiting what I refer to as [new value tubes vs NOS] and integrated SS amplifiers too as a result. Some of my older Sansui integrateds were the best.  Kinda miss that era. Seemed less complex, so easy, fun listening.  

The Fritz Carbons are a speaker I've referred to friends based your reviews @hilde45. Finding such a speaker you can just let play and enjoy with different amps is pretty darn cool.  Thanks for all of your time and energy on this @hilde45