Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

@frogman

For me, Pharoah’s version is the most immediately appealing but is it too rapturously beautiful? Does he skate around the anguish ?

Is Coltrane more courageous ?

More obsessively driven to wring out every nuance?

As always, I find Rollins rather inscrutable. That’s not the right word, exactly. I always get the sense his intellect is more involved than his emotions but of course, I can’t know this for a fact. I don’t know how else to describe what sounds to me like detachment/aloofness. Maybe it’s me who lacks the sensitivity to pick up on what he’s expressing.

Interesting. Detached or aloof are probably the last two characteristics I would think of. I find his playing to be very direct and committed. The beauty of music in that it can cause different reactions.  (Btw, one of the few players who can improvise without piano or guitar and the harmony of the tune remains always clear).

https://youtu.be/dYoRS4rEqCQ?si=rrS4QNT3Fj6oURyr

https://youtu.be/Xm-9qQu8yKA?si=jYhcs1NXcBa0SgTQ

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I’ve loved the guitar since I was a kid listening to Duane Eddy playing "40 Miles of Bad Road" and "Pepe". Then one day I saw an LP with a bright red Gretsch on the cover and I thought I might see what someone else played on the guitar Eddy used.
I was amazed at the sounds coming from Chet Atkins’s fingers, completely unlike the single note twang of Duane Eddy. My dad even liked it and let me play it on his Fisher stereo. I started trying to learn finger style playing after that and left old Duane behind.
In my freshman year in college a friend turned me on to jazz and I started to listen to Joe Pass, Django Reinhardt, Johnny Smith and my favorite, Kenny Burrell.

Which takes me to my pick for "Aficionados".
Burrell recorded a brilliant album called "Guitar Forms" with arrangements by Gil Evans. The tunes range from a Gershwin prelude transcribed for a classical guitar, to a version of Greensleeves which begins as a classical guitar solo, then Burrell switches to electric as Evans and the orchestra come in with a powerful swinging arrangement. There are also small group tracks and two beautiful Gill Evans arranged big band tracks.

Still my favorite record of all, Kenny Burrell, "Guitar Forms"...

https://www.youtube.com/watch?v=Qp50jQ_mPAg&list=PLvxWibFr0wiLXaegSULNzwUcrz5c4K5Pm

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