Actually, there's a lot of convergence in judgments about wine, at least for the best samples. If you're skeptical about this, correlate the scores given by top critics (say, Tanzer, Parker, and Wine Spectator) to the major offerings from Bordeaux in a given year; they can be close enough to make one wonder why anyone prefers one critic to another. The situation may be a bit different among closely matched wines at a price point; here personal preference may result in greater variation.
Maybe something is similar in digital. While one might be hard pressed to find "objective" differences amongst "value priced" sources, with the differences looking more like preferences, the situation might be quite different if you threw a SOTA digital source into the mix. Here, it would not surprise me if listeners converged on a clear preference for the SOTA sample over all of the value priced samples. (I'm not claiming, of course, that SOTA price is neatly elated to SOTA performance.)
BTW, the Jolida, as noted, seems responsive to tube changes.
John
Maybe something is similar in digital. While one might be hard pressed to find "objective" differences amongst "value priced" sources, with the differences looking more like preferences, the situation might be quite different if you threw a SOTA digital source into the mix. Here, it would not surprise me if listeners converged on a clear preference for the SOTA sample over all of the value priced samples. (I'm not claiming, of course, that SOTA price is neatly elated to SOTA performance.)
BTW, the Jolida, as noted, seems responsive to tube changes.
John