Where did you get this from? Have you done your homework before taking 10 seconds to write this? Let me do some homework for you, and you can do the rest to see if you can find anything to support your false statement.
DAC |
XLR |
RCA |
Topping Pre90 |
40 |
21.5 |
Schiit Freya+ F / Kara |
600 |
75 |
Audio Research LS17 SE |
600 |
300 |
Audio Research 6 SE |
600 |
300 |
@lanx0003 It is a fact in high end audio though that most producers of balanced line products pay no attention to AES48 (the balanced line standard), or the use of dBm levels (more later). That is part of the reason there is a balanced vs RCA debate.
You have to be careful about things you read like the specs above! I own the two of the Topping DACs; The 40 Ohm value is actually the two 20 Ohm output impedances put in series when really they should be in parallel, which would be about 10 Ohms.
WRT to the ARC stuff they are doing the same thing. FWIW ARC preamps in general tend to have high output impedances.
IOW this is a nomenclature issue, not an output impedance issue.
The standard for balanced line studio line level input impedance is 600 Ohms. Common accepted good design practice is that the circuit driving a load like that will have an output impedance about 1/10th of the load impedance. So we can assume that the source impedance will be 60 Ohms or less. That's a lot lower than most single-ended preamps...
Balanced line levels are usually expressed in dBm. dBm is the VU reading you would get on a VU (Volume Unit) meter when the meter is across a 600 Ohm resistor. So its a measure of power; that requires the output impedance to be even lower. There are two levels that are standards in use: -4dBm and +10dBm; 0dBm is one milliwatt dissipated into a 600 Ohm load.
My Neumann U67 microphones are designed to drive a 150 Ohm load. That implies an output impedance of 15 Ohms.
Our MP-1 preamp can drive 600 Ohms directly at +10dBm despite using a vacuum tube output. This also suggests a low impedance and in fact they will drive 32 Ohm headphones.
My old Ampex 351 studio tape machine was designed to drive 600 Ohms and also supported +10dBm.
Most tube preamps will fall flat on their face trying to drive loads like that. In fact most solid state RCA preamps will too.
My Otari MX70 1" tape machine has 600 Ohm inputs which expect at least -4dBm. You need a low impedance output to drive that.
I designed the first balanced line preamp offered to high end audio back in the 1980s so yes, I researched this quite a lot prior to saying what I did
, and yes, balanced outputs generally are usually lower output impedance unless the manufacturer had no intention of supporting common balanced line practices.