I’d put the amp in your system first, let it burn in for a couple hundred hours, and then see what you think. If the amp, say, adds just enough warmth then adding their pre may be too much of a good thing. Wait to see how it sounds and then see what direction sonically you wanna go with the preamp. I’d always side with a separate phono pre — it’s too important, and rarely will the phono pre in a preamp compare to a good separate unit. FWIW, and best of luck.
Choosing a preamplifier - synergy vs. matching components
Hello everyone,
I’ve already created a couple of threads here, and I’m truly learning a lot from all of you—thank you!
After careful consideration, I’ve decided to move forward with a Yamamoto Sound Craft amplifier and am currently choosing between the AD1 and VT-52 models. To complement my power amplifier, I’m looking for a preamplifier and a phono stage that can support my MC cartridge (or an integrated solution).
From what I understand, Yamamoto Sound Craft offers two preamplifiers: CA-03 and CA-04, with the latter supporting MC cartridges, which would be a convenient option. However, since I use Audio Note speakers, I’m also considering an Audio Note preamplifier (perhaps an M3–M6, depending on budget).
I have a few questions that I hope will spark an interesting discussion about system priorities. I know there’s no single "right" answer, but hearing different perspectives, experiences, and insights will certainly help me make a more informed choice.
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Should system synergy be the priority, or can better sound be achieved by carefully selecting and matching individual components? I believe Yamamoto Sound Craft and Audio Note share similar philosophies, emphasizing a natural and intimate sound signature.
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Is it preferable to choose an integrated preamp with a phono stage, or is it better to go with separate components? How does a SUT (Step-Up Transformer) factor into this? Would it be beneficial to use a SUT that is specifically matched to the cartridge?
For reference, I currently use a Denon 103R, but in the future, I’d love to explore higher-end Japanese cartridges like Koetsu or Miyajima.
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There is no universal truth. Sometimes there is a significant synergy between preamp and amp like Audio Research, but non-matching brand success can be achieved with other brands.
Integrated components save money in casework and cabling. It’s less flexible for future upgrades as both the preamp and phono must be changed together. The sonic quality of the built in phono is also important. Separate components cost more in casework and cabling, but is expected to perform better as external phono stages typically perform better than internal phono offerings.
It changes the sonic profile usually subjectively for the better. The OPs Denon 103R and at least the stone Koetsu are known to sonically benefit from SUTs which must be used with “voltage” phono stages. Obviously a SUT is an additional expense, and SUT using silver can be pricey |
Alright. I see that there are positive sides to both directions, but perhaps I'm too much of a beginner to start matching components without having an idea what results it will bring beforehand. I'm corresponding with a gentleman who recommended me to look at Abbas Audio and his philosophy and approach to high fidelity is that of Sakuma and Shindo-san (that probably also makes it appeal to Yamamoto Sound Craft). Sticking with Yamamoto Sound Craft CA-04 is the convenient and obvious solution, but I was trying to see if I could gain some advantages by investing in another product that could compliment the VT-52 amplifier with greater and even better sound. |
Should system synergy be the priority, or can better sound be achieved by carefully selecting and matching individual components? |
Is this about the best functional result, or reduced cost - trying to intermix brands... What logic or parameters are you considering, arriving at these conclusions? |
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