The Insane World of High End Audio! Is it All a Scam?


This 15 minutes of youtube video by "cheapaudioman" say a lot and hide a lot...

He review low cost products ...

His analysis of audiophiles world here seems fair to me...

But nowhere in all his videos and in this one  he mention "acoustics" as the basis of audio hobby, the anker of any system  and gear piece  evaluation and satisfaction...

He  always talk about the gear... Probably acoustics for him as for most is only acoustics panels purchase...

My point is not that the audio world of audiophile is a scam with scammers...

Not at all.

It is ignorance  of what is acoustics basics that makes people victim of their own decisions  and a potential prey for honest or dishonest sellers..

 

https://www.youtube.com/watch?v=yeqbFYaJisQ

128x128mahgister

Egyptian priests used resonators to "equalize" room temple sound... Before Hemlholtz..

I had 100 because i conducted experiments for many years with no cost materials from tube 8 feet high and large and straws and all dimensions in between.. I tuned them by ears...it takes me 2 years to complete 7 day/7...( Acoustics was my hobby then ) Way more fun than throwing money on a new dac because we are unsatisfied...

 

One single straw as part of a resonator mouth located at the right place create an audible effect...The location of the resonators matter too not only their dimension and cross ratio.. I also use them in a way to make a kind of mechanical crossfeed too for the speakers with some near the drivers...( i could not suppress crosstalk anyway in my room then i turned this impotency into and advantage i designed my version of mechanical crossfeed)

 

Now i dont own my past room, i must had sold my house but i used Helmhotz principle to modify my now small speakers vent hole because they are badly designd on all speakers for esthetical reason and cost...I modified my headphone too ...

For the measures:

you know that timbre is not a simple addition of pure frequencies because the ears perceive sound in his own time dimension. Timbre is a set of large band...

I used my ears to tune to my liking all my resonators in fonction of the timbre i wanted for the musical instruments like we tune a piano...My ears "measures" them one at times..each one compensate for others... There is a trade-off...

 

 

When all was completed my stereo system completely vanished..

My prefered opera Kurt Weill 4 penny opera soundfield was around me with natural timbre...

The singers walking and singing i was able to "see" their head turning...And sometimes singing next to my chair or near my shoulder...

Dr . Choueiri call that the spatial attributes of sound...H3e described them in his articles..

if you think that you can have this with one resonators or 2 sorry no...It is why without knowing what i did at the begining i add one at a time, each time gaining better S.Q, with each tuning.

but if you buy the BACCH system it will do this in a perfectly controlled way...

I called my resonators set a mechanical equalizer because it is exactly what it was...

The equalization process was tuned for my ears not by an electrical means...

The BACCH system will be better for sure but i know what it will do because i made it mechanically...

But some aspects cannot be made mechanically, as the measures of HRFT, or the control of the crosstalk cancellation etc...

It is why studying acoustics reading about sound perception is more valuable than reading reviewers who most of the time dont know really more about acoustics concepts than the customers who listen to them ..

It is why people invest big money in this hobby often without knowing what they do as an obsession..

i prefered to inform myself...

I was fascinated at some point by theoretical acoustics... What is sound... I discovered not only Dr. Gorike genius reading his patent about my headphone, not only Dr. Choueri genius insight into spatial aspects of sound control but a genius in pure acoustics theory i read in ectasy... He explain sound perception like no one else ... This is another story... I posted about it in a thread about spiritual aspect of music...( i posted many scientific articles about acoustics there but very few were interested in spite of the fact that there is a revolution in acoustics  and sound perception right now)

In life i am mostly interested by mathematics,linguistic,philosophy and acoustics and their relation...

I sure know what a tuned resonator is, higher end studios tend to use them as they can be made more discreet....had one in a former house, found something more broadband and better in recent times.

When you said you had a 100 Itty bitty ones that served as a "mechanical room equalizer", it started to sound a lil kookalicious.

On the same note, the effect of one can be clearly measured. I suppose you didn’t get that far or did you? Or did the effect of a cluster 100 whatever...of them do a number on ya?

 

 All matter when we create an audio system , even cables... But nothing compare to acoustic analog control...

Agreed, and the honest makers of good gear will say this. Interesting discussion here with a leader at Benchmark regarding what makes the biggest difference. Answer: the room.
 SEE: https://www.youtube.com/live/AIv79_NRASw?si=sfhN-PfIsr78DtQA&t=528

 

A consequence of this acoustics perspective and necessary training, is that all reviews are heavily conditioned by the acoustics conditions of the listening system/listener/room, then reviews are not an information which can indicate way more than personal taste.

Real synergy must be tested with many pieces of gear and measured techs.

For music recent scientific article demonstrated that we perceived "timbre" the same way among all cultures, and "timbre" is the root of musical various musical scales in use all around the world..

The consequences for audio are evident : the perception of timbre is one of the main aspect for music and cannot be measured by few techs numbers but must be listened to by ears/brain. ( one of the reason is in psycho-acoustics linked to the way the ears lives and brain create sound perception in his own non linear time domain).

 

If all reviews are subjectivist taste, and if all technical gear measures are objectivist limiting  insufficient few numbers; the only way to assign a meaningful value to a system/room is to study the acoustics basics and the varying acoustics parameters to makes each one of us in control of our own experience. Then free from our ignorance and easy prey for maketing.

 

Thanks for the video.

Agreed, and the honest makers of good gear will say this. Interesting discussion here with a leader at Benchmark regarding what makes the biggest difference. Answer: the room.
 SEE: https://www.youtube.com/live/AIv79_NRASw?si=sfhN-PfIsr78DtQA&t=528