I like blue meters ,I have a few.agree the ss work best with mcintosh 12000 in the tube mode. I do like the Mac house sound.have many different amps.find the synergy because impedance of pre and amp and speaker matter.enjoy the science and the search.
is McIntosh known for good dynamics?
I'm mainly a classical listener. I love good dynamics and dynamic resolution. For instance, in classical music there is a lot of musical expression that comes through subtle dynamic changes from one phrase to the next. There are also sudden louds, which the equipment should present as having startle impact. There are also sudden quiets, which should have a "compelling" sense to them.
I'm wondering if the McIntosh signature sound is known for good dynamics and microdynamics.
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My first high-end system was just A few years ago I chose the Macintosh MA9000 integrated with focal kanta3 speakers, Puritan power conditioner Shenyatta Delta speaker cables, I just had to have more and I upgrade it I'm glad I did. Macintosh has a very warm sound and it is different I end up getting a more higher resolution more detail stereo amplifier with preamp ( Separates) I'm glad I did I'm not saying that the Macintosh sounded bad It served me well for almost 2 years I just needed something with more detail and more dynamics. |
I have owned McIntosh and I felt my system had wonderful dynamics. And it certainly can present a wonderful listening experience. I also feel the house sound has a slight veil - in auditioning alternative options I preferred ‘house sound’ of other manufacturers. If you can listen to as many systems as you can - we are in the golden era of music reproduction. And enjoy your journey. |
@magon I would call that transparency, which is a function of low distortion; the lower the distortion the more transparent the amp. If its not low distortion it has less chance of revealing the nuances in the recording. |
@atmasphere Baloney! It’s about noise floor or signal to noise ratio or "dynamic range". It was revelatory that at CD’s appearance on the scene with a dynamic range of 96 dB or signal to noise ratio which had never been available in a consumer format previously. It’s best-case distortion is limited to .22% due to 16-bit quantization noise. |
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