That’s as loud as I try to listen now to save my old guy ears. I do like it loud like a lot of the concerts I’ve attended over the years. To me The Who doesn’t sound as good at quiet listening levels. Live at Leeds is played at 60-70 dBA now. Don’t want to think about how loud I used to listen to it. I also wear earplugs now at concerts.
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I normally listen at a 70db average with percussive or fff to ffff passages reaching 80 to 90db. I find this level enjoyable and not triggering sever adverse reactions from my wife and family members (no dedicated listening room, formal living room serves as listening room). However, they may still react to louder peaks. This is below mid orchestra/front first tier seating where the average sound level is 70 to 90db with peaks of over 100db (see references and my own iPhone measurements that are not posted, as inaccurate as they are). When in the mood for reproducing the concert experience, I will raise the average to a 90db level. Rock concerts average 100db and 120db peaks. I do not find that enjoyablevat a concert or in my home. See some peer reviewed literature: https://iris.who.int/bitstream/handle/10665/352277/9789240043114-eng.pdf?sequence=1 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7050229/ https://www.chicagotribune.com/2004/01/11/the-decibel-debate-sound-and-the-symphony/
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@komono Peter Walker, the brains behind Quad amplifiers and electrostatic speakers, said that the volume knob should be treated like the focus control on a camera. Use it to bring the music into focus, which I interpret to mean place yourself at the volume level intended by the recording engineer, where the balance of instruments best approaches reality. His byline was "the closest approach to the original sound" and he targeted classical music, which has a much bigger dynamic range than most other genres. He recognised that it was practically impossible to reproduce typical front-row sound levels, and instead described reproduced music as listening through an open window into a concert hall. I am pretty sure most people instinctively keep turning the volume up until distortion raises its ugly head, at which point the volume is still way below the peak levels of un-amplified orchestral instruments. I know that applies to me and I probably play far too loud to not be damaging my hearing. Completely agree with your comments on how meaningless db 'measurements' can be without further details. |
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