@stuartk ,
I like the youtube band you just sent me. Yes, they have rough edges, and I love her Irish accent, if that's what it is. One of the people you sent me to listen to, and now I've forgotten the name, seemed to be playing the same songs as David Grisman only sweetly on a guitar. It sounded like a classically-trained guitarist.
I realized I have a Chris Thile album playing on the Goat Rodeo with Yo-Y0 Ma. To be honest, Goat Rodeo throws me a bit because of all its changes of moods within one song. I'll have to try tackling it a few more times.
As for AI creating art. AI cannot feel love or the fear of death. AI cannot know what it is to have a broken heart. Until that is possible, and more--the deepest human emotions, like the grief of a loved one dying--AI will not be able to produce original art. And I don't think that AI can create good art now. It writes terrible poetry. I've asked it. It can, however, analyze a poem. It's damned good at that. I fed through chatgbt a very complex poem I wrote for my booi, and it nailed the poem within three seconds. That was impressive.
At best AI will be derivative, perhaps blending the work of a number of artists. I believe that art is a product of human mortality. And AI is not mortal.
@mahgister
I read the intro, preface, and the first chapter of "The Ever-Present Origin." I'm not sure if I will read the rest now or later. I'm in the middle of "The Plumed Serpent" by D.H. Lawrence and I want to finish it. Although, Lawrence's constant repitition and old style of writing (I've been trained to use one modifier, whereas Lawrence can string together a long list of adjectives) might drive me away from the book.
I think "The Ever-Present Origin" might overlap with me on the research I've done for my book. Our Ven diagrams might have a lot of overlap. I'll have to look further.