Phono preamp evolution

I have for the past year or so been trying a few other phono pres and head amps and SUTs (all vintage Japanese units). I have been impressed with some of the low impedance SUTs, and a couple of the head amps. One head amp in particular has shocked me as to how good it is, so much so that I bought a second for parts. I had heretofore never thought about writing a review and I may, so I will leave it nameless until I do decide. However, my eyes continue to be opened...

2006 till now Graham Slee Era Gold V + Elevator EXP + two PSU-1 power supplies.

Not the best in the industry of giants and gigantic prices, but definitely a very enjoyable and musical phono stage. I have been very happy with this set up and might go for a Reflex M soon.

Benjamin record player w/ integral phono stage
Marantz SR 1000 receiver's phono stage
NAD 7140 receiver's phono stage
Acoustat TNP (internal phono stage)
ARC SP11 Mk II (internal phono stage)
Vendetta SCP2-B (should never have sold)
Jadis JP80 MC (internal phono stage)
Lamm LP2 Deluxe (used primarily; also used my Jadis JP200MC phono stage on low gain recordings)
Unnamed prototype phono stage made by a member of our audio society (and yes, it's good enough to my ears for me to have replaced the Lamm!)

1. Denon AVR-3300 (internal)
2. Rotel RQ-970BX
3. Musical Fidelity XLP-S mk II
4. Wright WPP-100c /w Wright Step-Up Transformer
5. Ayre P-5xe

And...I'm done.

Pro-Ject Phono Box (1)
Dynavector P75 (2)
ASR Mini Basis (3)
Klyne 7PX 2.5 (5)
Shindo Aurieges (4)
JE Labs (6)

where (1) denotes worst and (6) denotes best