Cartridge break in device

Gonners,

I keep reading threads that tell me that the first 50 or 100 hours, or more, deliver an ever increasing degree of satisfaction as the cartridge breaks in. Some say to go back and listen to what you first played to hear the bloom of the music. I think I'd take the suggestion to heart and reduce the break in period by 300 hours or so , as I will be starting out with 3 new cartridges at the same time. One hour a day would take me a year to realize the bloom of the 3 cartridges.

Hmmmm, might there be a need for a cartridge break in service? What say you, Gregadd?

Ken

Ken,

Hearing a cartridge go through its changes can be educational. OTOH, if all one wanted to do was enjoy music, that sort of audiophilia would indeed be distracting.

Some hours spinning on the Cardas record, with VTF set near the manufacturer's recommended maximum, works pretty well for speeding the process along. I don't know how the device mentioned by Fremer works so I can't offer any comparisons.

For cartridge break in on the Cardas LP you don't need to power up the system and listen to white noise. You don't need to use your primary rig. If you have a second TT, mount the new cartridge on that and let it exercise the suspension into shape while you enjoy music on your main system.

BTW, some cartridge models take much longer than others to settle in. A ZYX Airy 3, Transfiguration Orpheus or Shelter 901 typically need 150-200 hours, they go through large changes and the 901 can be unpleasant when new. OTOH, don't break a ZYX UNIverse in at all. You'd be wasting valuable listening time, since most UNIverses change very little after the 10th or 20th hour and some don't change at all. IOW, don't assume a common break in period for all new cartridges. Ask around model by model.

Good luck,
Doug

Doug,

The Cardas lp is a good Idea. I read it was good as a demagnetizer, but since I have a cart demag unit, I never gave any thought.

From what I remember of Fremmer's remarks, it broke in the suspension without exposing the stylus to unnecessary wear. Extended useful stylus life seems like a plus, especially with the retipping costs approaching a good % of the total cartridge cost. If it only breaks in and doesn't damage the suspension in any way, it may not be a bad idea. The problem may be that if it does damage the suspension, even slightly, you'd probably never know since there would've been no frame of reference for the change.

Thanks, Ken

Ken,

Be very careful with that active de-mag unit. Many cartridge makers warn against them. Some specifically void the warranty if you use it on their cartridge. The Cardas de-mag tracks are safer (and effective IME).

A device that would exercise the suspension without wearing the stylus seems a useful idea, though as you say the risks are hard to assess. The best frame of reference for the change, obviously, is to suffer the original problem: "enjoy" the cartridge changes during natural break in while playing music. An insoluble dilemma?

Doug

Doug,

The demag unit I have is a Sumiko that I purchased 15 or 20 years ago. I never used it since I never listened to much vinyl. What are the conditions that result in magnetization of a cartridge? Is it hours of playing time, months- years, both, or what? What are the audible signs that it needs to be demagnetized?

Tomorrow I'll order the Cardas LP and put the Sumiko on Audiogon.

Tks and Happy New year.

Ken